Welcome to the fantastic world of classical guitar. In this site, you will find classical guitar pieces, in midi format, for one and more guitars: actually 5641 MIDI files from 96 composers. Information on how to create midi files and a tutorial on the tablature notation system is presented. Images of ancient guitars provided.
|
|
The Virtual Safari is divided into three main interactive segments, each accessed via a map of the Pride Lands that has been graffitied with Timon’s doodles.
1. The Game: “Bug Rush” This is the most “game-like” segment. Modeled after classic top-down arcade collectors (like Pac-Man or the “Bug Tussel” game from the film itself), the player controls a cursor to help Timon catch as many glowing, juicy grubs as possible while avoiding hazards like falling rocks, angry rhinos, and—most dangerously—Simba’s giant paw swatting at the bugs. The twist? Pumbaa acts as a “power-up.” If you steer Timon into Pumbaa, he unleashes a toxic gas cloud that stuns all enemies but also temporarily blurs the screen. The game features three difficulty levels, high score tracking, and a running commentary from Timon that shifts from encouragement to outright panic. It’s simple, repetitive, and perfectly in character.
2. The Trivia Challenge: “Who Wants to Be a Somethin’-Somethin’?” A direct parody of Who Wants to Be a Millionaire? (which was at its cultural peak in the early 2000s), this segment tests the player’s knowledge of The Lion King trilogy. Timon plays the snarky host, Pumbaa is the “lifeline” (who provides answers that are usually wrong but always flatulent), and the questions range from easy (“What is Simba’s father’s name?”) to obscurely meta (“In The Lion King 1½, what is the name of Timon’s mother?”). Wrong answers trigger hilarious failure animations—Timon being launched from a catapult, or the screen being overrun by a stampede of wildebeest. A right answer on the final question rewards the player with a “secret” deleted scene or concept art, a classic DVD-era unlockable.
3. The Virtual Safari Itself (Navigation as Narrative) The centerpiece is less a game and more an explorable, clickable diorama. Using the DVD remote’s directional buttons, you move a cursor shaped like Timon’s head across a 2.5D illustrated map of locations from the films: the Pride Rock, the Elephant Graveyard, the oasis, Rafiki’s tree, and the jungle. Each location contains 2–3 hidden “bugs” (which are just jokes or soundbites) and one major interactive vignette.
This segment functions as a love letter to obsessive fans—every click yields a bespoke line of dialogue, a callback to a minor character, or a visual gag from the films. It’s less about winning and more about atmosphere and discovery.
At release, The Lion King 1½ competed with other direct-to-video sequels (The Jungle Book 2, Stitch! The Movie). The Virtual Safari gave it a competitive edge over passive viewing, aligning with early “DVD bonus features arms race” (e.g., Shrek’s “Revoice Studio”). However, compared to contemporary PC edutainment (Reader Rabbit, JumpStart), the Safari is simpler and shorter—intended as a 30-minute diversion, not a full curriculum. the lion king 1 1 2 timon and pumbaa virtual safari
The Virtual Safari was included on the 2004 Lion King 1½ DVD (Region 1) and select international releases. It has not been ported to Disney+ for several reasons: the interactive logic is built on obsolete DVD-Video scripting (using “pre-commands” and “cell-based navigation”), the Flash-like animations would need re-rendering, and the feature relies on remote control input (left/right/up/down/enter) that doesn’t translate easily to streaming app interfaces.
However, dedicated fans have preserved it. Rips of the DVD’s “VIDEO_TS” folder can be played in software like VLC or PowerDVD, where the interactive functionality remains intact. On YouTube, complete playthroughs exist, though they lose the tactile joy of “choosing your own adventure.”
In retrospect, Timon and Pumbaa’s Virtual Safari is a time capsule of early-aughts digital whimsy—a moment when Disney believed that the future of home entertainment was not just passive watching, but playing inside the movie, guided by its funniest, most self-aware characters. It’s clumsy, goofy, and utterly charming, much like its hosts. For millennials who wore out their Lion King 1½ DVDs, the Virtual Safari remains the definitive “hidden gem” of Disney interactive history.
For nearly three decades, The Lion King has reigned as one of Disney’s most beloved franchises. But for fans who know that the true heroes of the savanna are the ones eating bugs and living by the philosophy of "Hakuna Matata," the 2004 direct-to-video film The Lion King 1½ (known internationally as The Lion King 3: Hakuna Matata) is the ultimate treasure. Now, thanks to modern interactive media, fans can step directly into that world. Enter the The Lion King 1 1/2 Timon and Pumbaa Virtual Safari—a digital experience that blends nostalgia, interactivity, and the chaotic charm of cinema’s favorite meerkat-warthog duo.
In this article, we will explore what the Virtual Safari is, how it connects to the film’s unique "movie-within-a-movie" narrative, where you can find it, and why it remains a cult classic in the world of Disney online gaming. The Virtual Safari is divided into three main
The Safari is divided into 5–7 zones, each corresponding to a film location (e.g., the meerkat colony tunnels, the jungle oasis, the elephant graveyard). Each zone contains two main activity types:
| Activity Type | Description | Cognitive Skill Targeted | |---------------|-------------|--------------------------| | “Spot the Difference” | Two nearly identical stills from the film; player finds 3–5 alterations. | Visual attention, short-term memory. | | “Grub Hunt” | A cluttered background image; click on hidden grubs (some moving, some camouflaged). | Patience, selective attention. | | “Pumbaa’s Fact or Fiction” | Multiple-choice quiz about real animals (hyenas, warthogs, meerkats, vultures). | Factual recall, scientific literacy. | | “Timon’s Maze Dash” | A simple 2D maze where the player guides Timon to a grub before a timer runs out. | Spatial planning, speed. | | “Match the Sound” | Hear an animal call; match it to one of three on-screen animals. | Auditory discrimination. |
Success in each activity awards “Safari Stars” (3 per zone). Collecting all stars unlocks a blooper reel of voice actors’ outtakes from The Lion King 1½.
Accessible from the main hub or via hidden hotspots. They are simple, with 3 difficulty levels (Easy, Medium, Hard).
Pumbaa’s Flatulence Puzzle
Elephant Graveyard Maze
Watering Hole Whack-a-Mole
Hakuna Matata Falls Log Ride
Roar Memory Match
Composers are grouped in 6 pages: A-B;
C-F;
G-L;
M-O;
P-R; S-Z .
J.-S.
Bach , A.
Barrios Mangore , N. Coste
, M. Giuliani , F.
Sor and F.
Tarrega are on their own page
Click here
to listen to 20 great MIDI from the site
Composers in alphabetical order
Note to MIDI sequence contributors
Your submissions are welcomed.
Please send them by e-mail (end of text). Pieces
should bear the composer's name and be properly identified.(ex.: J.K. Mertz (1806-1856) Nocturne
Op.4 No.2.). The submissions
should bear information on the transcriber or arranger when available. The submitter's name
will appear beside the accepted submission.
This site exists primarily to showcase pieces written for the classical
guitar. Established and recognized transcriptions and arrangements (e.g.,
Tarrega, Segovia,..) of pieces written by non-guitar composers will also be given
high priority.
New compositions for the classical guitar are also welcomed. New
compositions that meet quality guidelines will be added to the site. For
new contributors, it would be appreciated if you would also submit several
pieces by known composers in addition to your own compositions. This will
help to expand the repertoire of established works for the classical guitar in
addition to expanding the repertoire of new music.
Last update: March 8 2026
Copyright Franois Faucher 1998-2025
G.F.Handel's Sonata 2. Allegro
3.Adagio HWV368