The Lucky Bunny
In the bustling streets of Tokyo, a small, unassuming rabbit figurine sat perched on a shelf in a quaint, family-owned shop. The shop, called "Momo's Treasures," was a favorite among locals and tourists alike, for its eclectic collection of vintage trinkets, rare collectibles, and handmade crafts. The rabbit figurine, with its endearing smile and twitching whiskers, seemed to radiate an otherworldly aura, as if it held secrets and tales of its own.
Misa New, a brilliant and adventurous journalist, stumbled upon Momo's Treasures while researching a story on Tokyo's hidden gems. As she pushed open the door, a soft bell above it rang out, and the scent of old books and cherry blossoms wafted out, drawing her in. Misa's eyes scanned the cluttered shelves, taking in the dazzling array of treasures on display. That's when she spotted the rabbit figurine, which seemed to be staring directly at her.
The shopkeeper, an elderly woman named Yumi, noticed Misa's fascination with the figurine. "Ah, you've found the Lucky Bunny," Yumi said with a warm smile. "Legend has it that this little one brings good fortune and prosperity to those who possess it."
Intrigued, Misa asked Yumi about the origins of the figurine. Yumi explained that the Lucky Bunny was crafted by a reclusive artisan, known only as "Kaito-san," who was rumored to infuse his creations with mystical energies. According to Yumi, Kaito-san had made the Lucky Bunny as a gift for his ailing wife, who was bedridden with a serious illness. As she held the figurine, her health began to improve, and soon she was back on her feet.
As Misa listened to Yumi's tale, she felt an inexplicable connection to the Lucky Bunny. She asked Yumi if she could take a closer look, and as she held the figurine in her hands, a sudden jolt of energy ran through her body. Misa began to feel an intense sense of clarity and purpose, as if the Lucky Bunny was awakening a deep-seated passion within her.
Over the next few days, Misa found herself experiencing a remarkable streak of good fortune. She landed a major scoop for her newspaper, made a breakthrough in her research, and even stumbled upon a long-lost friend from her childhood. As she reflected on these events, Misa began to suspect that the Lucky Bunny was more than just a simple figurine – it was a catalyst for positive change.
Determined to uncover the truth behind the Lucky Bunny's powers, Misa embarked on a quest to find Kaito-san, the enigmatic artisan. Her search took her to the outskirts of Tokyo, where she discovered a secluded workshop hidden in the mountains. There, she met Kaito-san, a kind-eyed old man with a wild shock of white hair.
Kaito-san revealed to Misa that he had indeed imbued the Lucky Bunny with his own energy and intentions. He explained that the figurine was a focal point for the collective positive thoughts and emotions of those who possessed it, amplifying their good fortune and inspiring others to do the same.
As Misa prepared to leave, Kaito-san handed her a small, intricately carved wooden box. "The Lucky Bunny's power is not just in the figurine itself," he said with a twinkle in his eye. "It lies within you, and within the connections you make with others. Keep the box as a reminder of the magic that resides within the world, and within yourself."
And with that, Misa New returned to Tokyo, armed with a newfound appreciation for the mysterious and the unknown. The Lucky Bunny remained in Momo's Treasures, but its legacy lived on through Misa, who continued to spread its message of hope and positivity to all those she met.
Of course, a Covert Japan project cannot exist solely as a visual artifact. The Lucky Bunny capsule collection (dropping December 14th at a random coordinate in Shibuya) is where the fan theory meets the wallet.
The centerpiece is the "Karma Reversal" Bunny Jacket.
Misa New served as the fit model for this collection. In a rare interview snippet (posted to a burner Twitter account that was deleted after 4 hours), she remarked, "I wanted the clothes to feel like armor for the anxious. When you zip up the Bunny jacket, you should feel like you are disappearing, not appearing. That is luck."
So, what is The Lucky Bunny? It is a short film (approximately 22 minutes, though rumors of a 4-hour director’s cut on the blockchain persist). It is a capsule collection of 6 garments. And it is a scavenger hunt.
The official synopsis, released via a single encrypted PDF on Covert Japan’s Telegram channel, reads:
"In a near-future Osaka where luck is a quantifiable currency traded by Yakuza data brokers, 'Lucky Bunny' (Misa New) is a courier who bleeds digital ink. She is tasked with delivering a single black box containing a 'living fur jacket'—a bio-engineered rabbit that reverses bad karma. When the box is stolen, Bunny must navigate the 'Wet Market' (an illegal network of flooded subway tunnels) to retrieve it, losing pieces of her own memory with every step."
The film is stunning. Directed by an anonymous collective known only as "Kaze-9," the visual language borrows from Akira, Blade Runner 2049, and the surveillance aesthetics of Searching. Misa New’s performance is the anchor. She barely speaks. Instead, she moves—a jerky, almost broken way of dancing through corridors. She is at once fragile (the "bunny") and untouchable (the "lucky" charm).
Before “The Lucky Bunny,” Misa New was known primarily as a gravure model and supporting J-drama actress, often typecast as the “cute best friend” or “mysterious ex-girlfriend.” Covert Japan, notorious for casting against type, saw something else: a stillness, a sorrow behind her wide eyes.
New’s Usagi is a revelation. She speaks only 47 lines in the entire film, yet her face carries entire novels. Watch her in the now-iconic “vending machine scene”—huddled beneath a flickering phosphorescent light, rain plastering her bangs to her forehead, a single tear tracking through her foundation as she realizes the yakuza lieutenant has already used the bunny twice. No dialogue. Just a slow zoom. New conveys terror, resignation, and a strange, maternal pity all at once.
Critics have compared her to a young Miho Nakayama meets a cyberpunk Greta Garbo. Film magazine Neo-Tokyo Noir wrote: “Misa New doesn’t play Usagi. She inhabits her. You forget you’re watching an actress. You feel the weight of that jade rabbit in your own chest.”
In the sprawling, neon-drenched intersection where streetwear cults, cyberpunk cinema, and TikTok aesthetics collide, a new artifact has emerged from the shadows. It is called The Lucky Bunny. For the uninitiated, the phrase might sound like a children’s fairy tale or a forgotten manga from the 80s. For the initiated—the followers of the elusive collective Covert Japan—it is the most anticipated narrative-driven fashion drop of the year, anchored by the ethereal presence of the digital-native icon, Misa New.
This article unpacks the layers of The Lucky Bunny: its origins in the Covert Japan underground, the casting of Misa New as its protagonist, and why this collaboration signals a tectonic shift in how we consume stories, clothing, and identity.
At its core, The Lucky Bunny is a 22-minute visual album (or “expanded music video”) that follows a nameless protagonist—played by Misa New—through a neon-drenched metropolis at 3:00 AM. The narrative is loose, almost dreamlike: a lost lucky charm (a small, ceramic rabbit) changes hands between strangers, gamblers, and ghosts, each interaction shifting the protagonist's fate.
The project is a production of Covert Japan, a multimedia label known for blending Tokyo streetwear aesthetics with slow-burn electronic music. Directed by the elusive artist known only as "Kaito S." (no relation to the famous composer), The Lucky Bunny was shot entirely on 16mm film in the back alleys of Shinjuku and Osaka’s hidden jazz bars.
The keyword "The Lucky Bunny by Covert Japan and starring Misa New" has been trending not because of massive budget marketing, but because of word-of-mouth fervor from fans of niche visual storytelling.