Larsson Saxophone Concerto Pdf — Full
The finale is a lively, almost cheeky rondo in B-flat major. The recurring rondo theme is crisp and staccato, with off-beat accents that recall Prokofiev’s Classical Symphony. The episodic sections introduce more demanding technical passages: rapid arpeggios, slap-tonguing effects, and wide leaps that were unusual for the saxophone in 1934.
Midway through, Larsson inserts a brief, cadenza-like passage marked quasi recitativo—the saxophone alone, exploring the instrument’s full range. This leads to a final restatement of the rondo theme, now in a brighter, faster tempo, and a coda that ends with a decisive, good-humored flourish.
Larsson’s primary publisher is Gehrmans Musikförlag in Sweden. They hold the exclusive rights to the concerto. You can buy a digital download (PDF) directly from their website. larsson saxophone concerto pdf full
The heart of the concerto lies in the second movement. It is introspective and somber, characterized by long, sustained phrases.
Because the Saxophone Concerto, Op. 14 remains under copyright in most jurisdictions (Larsson died in 1986, so copyright persists until 70 years after death—i.e., 2056 in the EU and many other countries; in the US, works published 1929–1977 are protected for 95 years from publication, placing this concerto under protection until at least 2029), you cannot legally download a free PDF from public domain sources. The finale is a lively, almost cheeky rondo in B-flat major
Legal options:
Retailers – Sheet music retailers like Edition Wilhelm Hansen (now part of Wise Music Group) distribute Gehrmans titles internationally. Sheet Music Plus and Musicroom sometimes carry study scores. Retailers – Sheet music retailers like Edition Wilhelm
Rental for performance – If you are a soloist or conductor, contact Gehrmans directly to rent performance materials. The rental fee typically includes a conductor’s score and a full set of parts for a limited period.
Avoid file-sharing sites (Scribd, Z-Library, Academia.edu, etc.) that claim to offer the full PDF. These uploads are almost always unauthorized scans; downloading them infringes copyright and deprives the publisher (and Larsson’s estate) of legitimate revenue.
For the saxophonist, the concerto presents several difficulties:
Modern editions include editorial fingerings and breathing suggestions, but many professional players return to manuscript sources to understand Larsson’s original intentions.