Season Collection: 3 Families
Total: 6 Stylistic Sets, 10 Figure Sets, 5 Others
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For fans seeking a high-quality download, consider these official and legal options:
iTunes/Apple Music
Spotify/Amazon Music HD
Official Skrillex Store (https://store.skrillex.com)
Note: Always avoid unauthorized sites to support artists and producers. High-quality files ensure you experience the EP as intended—every distortion, every synth, and every drop. i--- Skrillex Leaving Ep High Quality Download
To ensure you have the correct file, here is the official tracklist. When downloading, look for these file names:
We understand the desire to download. However, piracy sites (torrents, MP3Juices, etc.) rarely provide true high quality. They often convert 128kbps YouTube rips to "FLAC" (fake lossless). Do not fall for that.
Here are the official sources for high-quality downloads of the Leaving EP:
Released on January 2, 2013, via OWSLA and Big Beat Records, the Leaving EP is often considered the "calm before the storm" in Skrillex’s catalog. Following the aggressive, genre-defining sounds of Scary Monsters and Nice Sprites and Bangarang, Leaving took a sharp left turn. For fans seeking a high-quality download , consider
The EP is famous for two things:
The EP is short but sweet—just four tracks. Yet, in the world of high-fidelity audio, those four tracks are a goldmine of dynamic range.
| Quality | Bitrate / Depth | File Size (approx) | Best for | |---------|----------------|--------------------|-----------| | MP3 320 kbps | 320 kbps | ~45 MB | General listening | | 16-bit FLAC | 44.1 kHz / 16-bit | ~120 MB | Audiophiles, archiving | | 24-bit WAV | 48 kHz / 24-bit | ~180 MB | DJs, remixing, mastering | | 24-bit / 96 kHz FLAC | 96 kHz / 24-bit | ~350 MB | High-res audio systems |
⚠️ The Leaving EP was originally mastered at 44.1 kHz / 16-bit, so anything above that is upsampling and may not improve sound quality. iTunes/Apple Music
The title track, “i---”, is often regarded as one of Skrillex’s masterpieces. Its name references the Japanese anime Neon Genesis Evangelion, a nod to Moore’s personal interests and a subtle commentary on existential themes. The track’s structure is a lesson in progressive tension:
This interplay of darkness and light has made “i---” a staple in both dubstep and mainstream EDM sets.
Skrillex’s production style on Leaving exemplifies his signature approach:
The EP also highlights Skrillex’s use of software like Omnisphere and Massive, tools now synonymous with modern EDM production.