| Part | Meaning | |------|---------| | War.Dogs.2016 | Movie title: War Dogs (2016) | | 1080p | Vertical resolution: 1920x1080 progressive scan | | 10bit | 10-bit color depth (better gradients, less banding — ideal for HDR or high-quality encodes) | | BluRay | Source: Original Blu-ray disc | | 6CH | Audio: 6 channels (typically 5.1 surround sound) | | x265.HEVC | Video codec: H.265 / HEVC (efficient compression) | | PSA | Release group name (PSA encodes — known for small file sizes with reasonable quality) |
| Version | File Size | Video Bitrate | Audio | Best for… | |---------|-----------|---------------|-------|------------| | PSA encode | 2.8 GB | ~3,200 kbps | 5.1 AAC | Streaming over weak connections, storage-limited HDDs | | REMUX | 28 GB | ~35 Mbps | DTS-HD MA | Home theater projectors, lossless archives | | Amazon Webrip | 5 GB | ~6,000 kbps | DD+ 5.1 | People avoiding torrents but wanting decent quality | | YIFY (old x264) | 1.5 GB | ~1,500 kbps | 2.0 stereo | Cell phone viewing (not recommended on big screens) |
Takeaway: PSA’s 10bit.x265 sits in the “sweet spot” – smaller than a webrip, better gradient handling than YIFY, and no need for a 30 GB download. War.Dogs.2016.1080p.10bit.BluRay.6CH.x265.HEVC-PSA
Release Name: War.Dogs.2016.1080p.10bit.BluRay.6CH.x265.HEVC-PSA
Source: BluRay
Resolution: 1080p
Color Depth: 10-bit
Audio: 6CH (Surround)
Codec: x265 / HEVC
Encoder: PSA (PSArips)
Crucial Warning: The default "Movies & TV" app on Windows 10/11 or QuickTime on macOS cannot play 10bit x265 or 6CH AAC correctly. You will get "black screen" or "no audio." | Part | Meaning | |------|---------| | War
Recommended Players:
Before we dive into the bits and bytes, a brief reminder of the content. War Dogs (2016) stars Jonah Hill and Miles Teller as David Packouz and Efraim Diveroli, two real-life Miami Beach stoners who land a $300 million Pentagon contract to supply ammunition to the Afghan military. Directed by Todd Phillips (fresh off The Hangover trilogy), the film is a sharp, Scorsese-lite critique of American imperialism, greed, and the absurdity of gun-running. | Version | File Size | Video Bitrate
While the film received mixed-to-positive reviews for its pacing, the technical presentation—cinematography by Lawrence Sher—is stunning. It features sun-drenched Miami exteriors, gritty Eastern European warehouses, and dark, moody night sequences. This visual variety makes it an excellent candidate for stress-testing a high-efficiency video codec.