The VSCO Film Bundle 01-07 for Adobe Camera Raw is more than a set of presets; it is a photography education. By using these emulations, you learn why Kodak Portra lifts shadows, why Fuji Velvia crushes blacks, and why Kodak Tri-X grain clumps differently at box speed.
Even in 2024, with AI-powered editing tools and brand new raw engines, opening an ACR window and applying VSCO Film 04 – Fuji Astia 100F to a flat landscape still produces magic. It slows you down. It forces you to think about color theory. And most importantly, it makes your digital files look like memories.
If you have a copy of this bundle buried on an old hard drive, resurrect it. If you are a young photographer who has only used mobile presets, hunt down this legacy bundle. You will never view the "Curve" tool the same way again.
Ready to edit? Dust off your raw files, open Adobe Camera Raw, and go analog the right way.
Have a specific question about calibrating VSCO Film Bundle 01-07 for your Sony A7IV or Canon R5? Leave a comment below or check our forum for custom .dcp conversion guides.
The VSCO Film Bundle (Packs 01–07) for Adobe Camera Raw (ACR) and Lightroom is widely considered the "gold standard" of vintage film emulation. While Visual Supply Co. originally discontinued these desktop presets in 2019, they have recently been reissued as part of a limited-time VSCO Pro membership benefit. The "Secret Sauce": Camera Profiles
Unlike standard presets that just move sliders, VSCO Film includes Custom Camera Profiles.
How it works: These profiles change how your RAW data is interpreted based on your specific camera model (e.g., Canon, Nikon, Sony).
The Benefit: It ensures that a "Kodak Portra 400" preset looks identical whether you shot it on a Nikon D850 or a Canon 5D, achieving a consistent filmic baseline that simple HSL tweaks cannot replicate. Pack-by-Pack Breakdown
The bundle covers a massive range of aesthetics, from subtle professional stocks to gritty, experimental films: VSCO FILM 01 Review - Photography Life
The VSCO Film Bundle (Packs 01–07) for Adobe Camera Raw (ACR) and Lightroom is a collection of professional-grade film emulation presets that replicate the aesthetic of classic analog film . While highly sought after, these packs were officially discontinued in March 2019
and are no longer available for purchase or official download from Overview of Film Packs 01–07
Each pack was designed with a specific photographic style or film type in mind, providing unique color profiles and grain structures. Pack 01: Modern Films
: Essential, popular modern films still in production or recently discontinued. Included Films
: Kodak Portra (160, 400, 800), Fuji 400H, Fuji 800Z, and Ilford HP5. Pack 02: Classic Films
: Classic, time-tested film stocks known for their nostalgic appeal. Included Films VSCO Film Bundle -Pack 01-07- For ACR
: Fuji Neopan 1600, Kodak Portra 400 NC/VC, and Kodak Tri-X. Pack 03: Instant Films
: Emulating the distinct look of Polaroid and Fuji Instax films. Included Films : Polaroid 665, 669, 690, and Fuji FP-100c. Pack 04: Slide Films
: High-contrast, vibrant looks typical of positive (slide) film. Included Films
: Fuji Velvia 50/100, Fuji Provia 100F/400X, and Kodak Ektachrome. Pack 05: Archetype Films
: Mass-market consumer films from the golden age of analog photography. Included Films
: Kodak Gold 100/200/400, Kodak Royal Gold 400, and Agfa Vista. Pack 06: Alternative Process
: Experimental looks, including cross-processing and pushed film. Included Films : Kodak E100VS (XP), Fuji 400H (+1), and Agfa Precisa (XP). Pack 07: Eclectic Films : Rare and specialized film stocks for diverse moods. Included Films
: Agfa Portrait XPS 160, Kodak Ektar 25, and Ilford Pan F Plus 50. Nate Photographic Technical Features for ACR VSCO Presets - VSCO Presets for Adobe Lightroom
The VSCO Film Bundle (Packs 01-07) for Adobe Camera Raw (ACR) is a discontinued collection of professional-grade presets and custom camera profiles designed to emulate the look of classic analog film stocks. Each pack focuses on a specific aesthetic or film type, ranging from modern wedding classics to consumer-grade stocks and experimental instant film. VSCO Film Pack Overviews The Archetype Films Collection | archive - VSCO
The VSCO Film Bundle (Packs 01–07) was a foundational suite of film-emulation presets for Adobe Camera Raw (ACR) and Lightroom, designed to replicate the aesthetic of classic analog film stocks. Although VSCO officially discontinued its desktop presets in 2019 to focus on mobile, they remain a gold standard for digital film simulation among photographers. Bundle Breakdown: Packs 01–07
Each pack in the bundle targets a specific era or style of film, providing photographers with custom camera profiles tailored to their hardware.
Pack 01: Modern Films – Features professional staples like Kodak Portra 160/400/800 and Fuji 400H, known for their versatility in weddings and portraits.
Pack 02: Classic Films – Focuses on legendary discontinued stocks, including Fuji Neopan 1600 and Ilford Delta 3200 for high-contrast black and white street photography.
Pack 03: Instant Films – Replicates the saturated, nostalgic look of Polaroid and Fuji Instax films.
Pack 04: Slide Films – Emulates "positive" transparency films like Fuji Velvia and Provia, offering high contrast and vivid colors. The VSCO Film Bundle 01-07 for Adobe Camera
Pack 05: Archetype Films – Includes mass-market consumer films such as Kodak Gold and Agfa Vista, providing a warm, "golden hour" vibe.
Pack 06: Alternative Process – Offers cross-processed looks and "pushed/pulled" film emulations for gritty or sun-washed aesthetics.
Pack 07: Eclectic Films – The final and largest release, featuring 18 diverse films including rare stocks like Agfa Portrait XPS 160 and Kodak Ektar 25. Key Features for ACR
The ACR versions were specifically engineered for Adobe Photoshop users, allowing them to apply film looks directly to RAW files during the import process.
Instead of dropping 400 individual presets into the root folder, VSCO organizes them by pack.
Unzip your VSCO Film Bundle 01-07.zip. You will see folders named:
Drag these entire folders into the Settings folder.
VSCO discontinued official sales of the Film Bundle in 2019, shifting focus to their mobile app and creative tools. As a result, the ACR version of Packs 01–07 is now considered abandonware but remains highly sought after in secondary markets and archival forums.
If you cannot locate a legitimate copy, consider these modern alternatives:
In an era of AI editing and Instagram filters, is the VSCO Film Bundle still relevant?
Absolutely.
Here is the secret sauce that the VSCO Bundle 01-07 offers that modern filters don't: It leaves the photography to the photographer.
It doesn't fix your lighting or composite your image. It simply gives you a beautiful, chemically accurate canvas to start with. It forces you to slow down. Instead of tweaking 15 sliders just to get a decent skin tone, you select the Portra profile and you’re 90% of the way there.
For the purist, the retoucher, or the photographer tired of the "digital look," this bundle isn't just a set of presets—it’s a time machine back to the golden age of emulsion.
Pro Tip for Users: When using these in ACR, don't stop at the profile. The real magic happens when you use the VSCO "Standard" profiles and then manually adjust the Tone Curve and HSL sliders. The profile sets the mood; your adjustments tell the story.
The VSCO Film Bundle (Packs 01–07) for Adobe Camera Raw (ACR) and Lightroom is highly regarded for its ability to accurately emulate the aesthetic of classic film stocks. While VSCO discontinued these desktop packs in 2019, they recently reissued select presets for a limited time in 2026. Key Features of the 01-07 Bundle VSCO FILM 01 - The Missing Guide - Nate Photographic Have a specific question about calibrating VSCO Film
The VSCO Film Bundle (Packs 01–07) for Adobe Camera Raw (ACR) represents a comprehensive library of digital emulations designed to replicate the aesthetic of classic and modern analog film stocks. These packs were specifically engineered for use within Photoshop’s ACR environment, providing photographers with high-fidelity "film looks" while maintaining the flexibility of RAW file editing. Overview of the VSCO Film Bundle
Originally released as individual collections, the 01–07 bundle covers a vast spectrum of photography styles, from clean wedding portraiture to gritty street photography. Each pack includes custom camera profiles for major brands like Canon, Nikon, and Fujifilm to ensure accurate color reproduction based on specific sensor data. Detailed Pack Breakdown
The bundle is categorized by the specific "feel" or type of film being emulated: VSCO FILM 01 - The Missing Guide - Nate Photographic
The fluorescent lights of the studio felt like a headache in waiting. Elias sat before two monitors, staring at a wedding gallery that looked too sharp, too digital, and—frankly—too soulless. The skin tones were a sickly magenta, and the highlights had that brittle, "shot on a sensor" crunch. He reached for his secret weapon: the VSCO Film Bundle (Packs 01-07) for Adobe Camera Raw. He started with , the "Modern Films." With one click, he applied Kodak Portra 160
. Suddenly, the harsh studio light softened. The greens in the background shifted from neon to a muted, organic moss. The bride’s skin glowed with a creamy, peach-fuzz warmth. But this wedding had a moodier side. He jumped to (Classic Films) and tried Fuji Neopan 1600
. The color vanished, replaced by a gritty, high-contrast black and white that turned a simple shot of the groom adjusting his cufflinks into a scene from a 1940s noir. By the time he hit
(Slide Films), he was experimenting. He took a shot of the reception and hit it with Fuji Astia
. The colors popped with a nostalgic, saturated punch that felt like a vacation slide show from the 70s.
Hours passed, but it didn't feel like work. He cycled through the matte fades of
(Archetype Films) for the candid shots and used the clean, clinical precision of
(Alternative Process) to give the cake photos a high-fashion edge. Finally, he rounded out the set with (Eclectic Films), using Agfa Ultra
to make the late-night dance floor photos look like a fever dream of primary colors.
When Elias finally hit "Export," he wasn't just looking at digital files anymore. He was looking at a collection that felt tactile, timeless, and human. The grain was there, the "S-curve" was perfect, and for the first time all day, the photos actually told a story.
He leaned back, the blue light of the monitors finally fading into the background, and realized that sometimes, to make something look modern, you have to go back to the chemistry of the past. specific pack within the bundle?
