Transangels 24 05 17 Ciboulette Selfsucking Se Exclusive Page

| Publication | Verdict | Key Quote | |-------------|---------|-----------| | Resident Advisor | ★★★★☆ | “Trans‑Angels have fashioned an experience that feels like a meditation on consumption, both artistic and physiological.” | | The Wire | ★★★☆☆ | “While conceptually daring, the self‑sucking motif teeters on gimmickry; however, the execution remains undeniably hypnotic.” | | Le Monde (Arts Section) | ★★★★★ | “Ciboulette’s alchemical use of chive scent and breath transforms the mundane into the sacred.” | | Berlin Art Review | ★★★★☆ | “SE‑Exclusive’s intimacy amplified the ritual’s power; the audience became complicit in the act of self‑re‑creation.” |

Overall, the performance was hailed as a milestone in Berlin’s experimental scene, sparking debates about the role of bodily metaphor in contemporary art.

Finally, consider getting involved in your community. Whether it's through local sustainability initiatives, self-care groups, or environmental organizations, being part of a community can provide support and motivation. transangels 24 05 17 ciboulette selfsucking se exclusive

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“Self‑sucking” is not a literal act but a metaphorical one, borrowed from the biological process of autophagy—cells consuming parts of themselves to recycle nutrients. In artistic terms, Ciboulette’s piece explores: | Publication | Verdict | Key Quote |

On the evening of 24 May 2017, the underground art‑tech collective Trans‑Angels staged a one‑of‑a‑kind performance in the back‑room of the SE (South‑East) Exclusive venue in Berlin. Billed as “Ciboulette Self‑Sucking,” the event blended experimental sound design, immersive visual projections, and a provocative body‑art ritual that pushed the boundaries of self‑reflexivity in contemporary performance art.

This write‑up unpacks the concept, the production, and the cultural resonance of the night, offering an account for both those who witnessed the event and those exploring it through documentation and secondary sources. Finally, consider getting involved in your community

| Time | Segment | Description | |------|---------|-------------| | 19:00 – 20:00 | Arrival & Ambient Soundscape | Guests were welcomed by a low‑frequency drone generated in real time by Raf Ortiz using a custom Max/MSP patch. The sound gradually introduced faint, chopped vocal samples of Ciboulette’s previous performances, creating a sense of “being inside a memory.” | | 20:00 – 20:15 | Opening Visuals | Miro Šimić projected an evolving kaleidoscope of angelic silhouettes that fragmented and recombined, mirroring the theme of transformation. Subtle data from audience heart‑rate monitors (opt‑in) altered the color palette. | | 20:15 – 21:00 | Ciboulette’s Self‑Sucking Ritual | Center stage, Ciboulette entered wearing a reflective bodysuit embedded with tiny LED filaments. She began a slow, choreographed sequence where she “sucked” a thin, translucent tube into her mouth—an apparatus that actually funneled a mist of aromatic chive‑infused vapor (hence “ciboulette”). The vapor symbolised the ingestion of the herb’s essence, a nod to her stage name. The act was accompanied by a live‑coded audio loop that sampled her breath and transformed it into glitchy percussive hits. | | 21:00 – 21:30 | Interactive “Autophagy” Installation | Audience members were invited to write a short personal confession on luminous paper, which they then placed into a rotating glass cylinder. The cylinder slowly dissolved the paper in a biodegradable solution, projecting the ink onto a wall—visualizing the “self‑consumption” of secrets. | | 21:30 – 22:00 | Climactic Collapse & Rebirth | The lighting designer Kat Liu dimmed the space to near‑darkness, then triggered a burst of cold‑blue strobe that synced with a massive bass drop. Simultaneously, the central pit’s floor opened to reveal a mirror pool; Ciboulette emerged, drenched, symbolising rebirth after the self‑consumption phase. | | 22:00 – 22:15 | Encore & Reflection | A quiet acoustic piece, performed on a hand‑crafted chive‑wood harp, closed the night. Ciboulette addressed the crowd, emphasizing that the performance was “a reminder that we must sometimes consume ourselves to grow.” |

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