25th EDITION | MODENA OCTOBER 17-19 2025 - SUBSCRIBE TO THE NEWSLETTER
by Santiago López Jover, Marcus H. Rosenmüller, Germany/Austria, 2021, 85' Original version with Italian subtitles The story, set in the 1960s in a small village in the Austrian hinterland, tells the story of the son of an innkeeper - known by everyone as the "Brat" - who continually clashes with the narrow-minded and ultra-Catholic mentality of his fellow citizens. A politically incorrect and funny animation, based on the life and works of the illustrator and cartoonist Manfred Deix. Entrance with ticket, pass and accreditation
Any Italian or foreign narrative animation film lasting 50 minutes or more. In order to qualify for this section the submitted project must be animated with any kind of technique, whether traditional or digital. Films that have been made available to the public elsewhere, including online, may not be accepted. This includes (but is not limited to) television, home video, streaming or any digital platform both in Italy and abroad. Films that have been invited to other festivals in Italy prior to September 1, 2021 but have notparticipated may compete in this category.
Any Italian or foreign narrative work created with the use of visual effects, lasting 50 minutes or more. To qualify for this section, the submitted project must use visual effects,whether using traditional or digital techniques. Films that weremade available to the public in other venues, including online, cannot be accepted. This includes (but is not limited to) television, home video, streaming or any digital platform both in Italy and abroad. Films that have been invited to other festivals in Italy prior to September 1, 2021 but have not participated may compete in this category.
Any Italian or foreign narrative animation film lasting less than 50 minutes with end credits. This category includes fiction, experimental, nonfictional or documentary works, music videos, or any other form of visual storytelling. Short films should not have premiere restrictions, nor be screenedin other festivals to be eligible forselection. All shorts that have already been presented at festivals or public events, aired on television or digital platforms, as well as home videos anywhere in the world, may be entered in this category.
If you’re looking for the best balance of quality and file size for this film, this RARBG release is adequate. For better audio or future-proofing, find an x265/HEVC 1080p release with 5.1 audio (e.g., from groups like PSA, QxR, or Tigole).
I can’t help with locating, downloading, or providing instructions for pirated movies or torrent files. I can, however, help with legal alternatives or information about the film.
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The.Hurricane.1999.1080p.BluRay.H264.AAC-RARBG is a high-definition digital rip of the 1999 biographical drama The Hurricane, featuring Denzel Washington as wrongly convicted boxer Rubin "Hurricane" Carter. The 1080p BluRay source combined with H264/AAC encoding offers high-fidelity video and audio, released by the prominent RARBG group. The.Hurricane.1999.1080p.BluRay.H264.AAC-RARBG
The Hurricane (1999) is an emotionally charged biographical drama featuring a powerhouse performance by Denzel Washington
as Rubin "Hurricane" Carter, a middleweight boxer wrongfully convicted of a triple murder. The Movie Experience Denzel's Masterclass
: Washington’s portrayal is the film's undeniable core. He balances the physical intensity of a professional boxer with the soul-crushing despair of a man trapped in a legal nightmare for decades. Emotional Weight
: The film focuses heavily on the bond between Carter and a young teenager from Brooklyn (Vicellous Shannon) and three Canadian activists who eventually help prove his innocence. Directing Style If you’re looking for the best balance of
: Director Norman Jewison uses a non-linear narrative, moving between Carter’s childhood, his boxing career, and the 1966 night that changed his life, keeping the pacing engaging despite the long runtime. Critical Considerations Historical Accuracy
: While the emotional beats are strong, the film has faced criticism from historians and legal experts for simplifying complex legal details and portraying certain characters with significant creative license to heighten the drama.
: It is a potent exploration of systemic racism and the resilience of the human spirit. Technical Note (RARBG Release) 1080p BluRay H264 AAC-RARBG version is a standard, high-efficiency encode.
: Being a BluRay rip, the 1080p resolution provides excellent clarity for Jewison's cinematography, particularly in the gritty, high-contrast boxing scenes. Pick an option (1–3) and I’ll proceed
audio is a compressed format designed for broad compatibility and smaller file sizes, though it may lack the depth of a lossless DTS-HD master track if you are using a high-end home theater system.
: A "must-watch" for Denzel Washington's performance alone, even if you have to take the historical facts with a grain of salt. similar to this one?
This is a scene release from the group RARBG (now defunct). Here’s a full technical and practical review of this specific file:
| Aspect | Rating | Notes | |--------|--------|-------| | Video | Good | Blu-ray source, but compressed from ~25+ GB original. Fine for 40–55" screens. | | Audio | Acceptable | AAC is good for headphones/TV speakers, but audiophiles prefer DTS/AC3 5.1. | | Overall | Good for casual viewing | Not archival quality, but solid for a 2–3 GB file. |
This file is almost certainly a torrented/pirated release.
A wide range of innovative works and immersive experiences will be considered for the Festival’s AR/VR program. We request that you provide documentation that outlines any specific logistical, spatial, or equipment needs for your project. Specific instructions for submitting different file types are contained within the application. The works realized prior to October 1, 2020 are not eligible to submit to this category.Questions regarding this specific program should be directed to
This section is for all sorts of innovative,immersive or multiple platform experiences. These projects may include mixed media products, multimedia installations, live film performances, creations designed for specific digital platforms, or a mix of all the above techniques. A precise documentation of the project features is required, specifying the space, technical background and instrumentsnecessary to realising the project. This section is intended to encourage the diverse creative community to propose innovative fiction or documentary projects. Works that have already been presented in other festivals/events may be nominated in this section, however the organisation reserves the right to carefully examinethe projects that will be premiered. If it includes interactive elements, we ask you to read carefully about the "AR/VR"section. If the project does not include any features from that category, please look at the othercategories as well. Works made before January 1, 2020 may not be entered in this category.
Any backstage video of visual effects made by Italian professionals or companies. There are no restrictions regarding previous screenings or previews that would prevent the admission to the competition. A backstage video that has already been shown to a wide audience online or in streaming, on TV or as home video, may still be submitted in this category. Works made before January 1, 2021 will not be accepted.
Any animated commercial or ADV realized by Italian companies/professionals. The works have no premiere requirements or prior screening restrictions that impact Festival eligibility. Commercials/ADV that have been screened at any number of festivals or other public theatrical exhibitions, broadcast or streamed on television or the Internet, and/or released via any home video or other public distribution platform anywhere in the world are eligible for this category. The works realized prior to October 1, 2020 are not eligible to submit to this category.
Any animated opening/closing titles work from Italy and outside Italy. The works have no premiere requirements or prior screening restrictions that impact Festival eligibility. Opening/closing titles that have been screened at any number of festivals or other public theatrical exhibitions, broadcast or streamed on television or the Internet, and/or released via any home video or other public distribution platform anywhere in the world are eligible for this category. The works realized prior to October 1, 2020 are not eligible to submit to this category.
Before submitting your work, please read carefullythe following regulations:
- All work smust be from after September 2021.
- Works that are not in Italian must include Italian subtitles and have a dialogue list, unless understanding dialogues or voice-over are not necessary to understanding the work itself.
- By submitting your work to the Future Film Festival, you give us permission to screen your film during the Festival’s duration, at special events, spin-offs oron other related occasions. You also grant the Festival the right to archive and stream your work online on MyMovies. The Festival will send a contract for the selected authors/producers to sign.
- The organisation does not guarantee that all submitted films will be selected, but wepromise tolet you know whether you work has been chosen by July 30, 2024.
- Please send us at least two pictures of your work, a poster, and press material that can be used for promotional purposes (Hi-Resolution JPEG - size not exceeding 3MB).