Roja’s on-screen chemistry and dance numbers continue to get millions of views on YouTube. Here are some of her most-watched and requested clips:
Recently, Roja has entered politics and TV hosting. Clips from Roja Ennamma (her TV show) where she interacts with fans or gets emotional about her career often go viral, crossing millions of views.
Her stint in the Bigg Boss house (2018) introduced her to Gen Z. Clips of her confrontations with actors like Yashika Anand and Daniel Annie Pope became viral memes. A search for "Roja angry Bigg Boss" yields hundreds of popular videos.
For those who grew up watching 1990s Tamil cinema, the name Roja evokes instant nostalgia. Born Roja Selvamani (now often credited as Roja), she was one of the most sought-after actresses of her era, known for her expressive eyes, spontaneous smile, and powerful screen presence. While she acted in multiple South Indian languages (Telugu, Malayalam, Kannada), her Tamil filmography remains iconic.
Today, she has successfully transitioned into politics as a member of the YSR Congress Party and a former Member of the Legislative Assembly (MLA) in Andhra Pradesh. However, for cinema lovers, she remains the bubbly, fierce, and graceful heroine of numerous blockbusters.
This article provides a complete filmography of Roja’s Tamil films and curates the most popular videos that continue to rack up millions of views on YouTube.
During this period, Roja was arguably the busiest actress in South India.
Whether you are revisiting 90s Tamil cinema or discovering it for the first time, Roja’s films are essential viewing. Her best videos – from the classical grace of “Sundari Kannal” to the mass appeal of “Rukku Rukku” – showcase an actress who was truly versatile.
Start with these three:
Then dive into her YouTube popular videos, and you’ll understand why Roja remains a beloved name in Tamil film history.
Did we miss your favorite Roja song or scene? Let us know in the comments – and don’t forget to check out her latest political speeches, which are just as powerful as her film dialogues!
Roja Selvamani , born Sri Latha Reddy, is a distinguished Indian actress and politician primarily known for her dominant presence in the 1990s Tamil and Telugu film industries. She made her Tamil debut in the blockbuster Chembaruthi (1992) and went on to star in over 100 films within a decade. Tamil Filmography Highlights tamil actress roja sex video updated
Roja collaborated with nearly all leading Tamil stars of her era, including Rajinikanth, Prabhu, and Sarath Kumar. Film Title Notable Co-Stars Chembaruthi Chembaruthi Sarath Kumar Uzhaippali Rajinikanth Rajinikanth, Meena Prabhu Deva Makkal Aatchi Ayudha Poojai Sindhamani Arjun Sarja Unnidathil Ennai Koduthen Karthik, Ajith Kumar Thirupathi Ezhumalai Venkatesa Pottu Amman Venu (100th film) Vijay, Asin Popular Videos and Songs
Roja's expressive performances and dance skills made her a mainstay on musical countdowns.
The golden afternoon sun filtered through the dusty blinds of "Cinema Paradiso," a small video rental and repair shop in the heart of Chennai. It was a place where time seemed to stand still, smelling of old magnetic tape, popcorn, and sandalwood.
Karthik, a twenty-s-year-old software engineer with a nostalgic heart, stood before a towering shelf labeled "The Queens of the 90s." He wasn't looking for the latest 4K streaming hits; he was on a quest for something rawer, louder, and undeniably vibrant. He was looking for Roja.
To the younger generation, she was a familiar face on television, known for her sharp wit and political commentary. But to Karthik, and to the shop owner, old Mr. Das, she was the "Cinema Rani" who had ruled the silver screen with a fiery intensity that few could match.
"Looking for the heavy hitters, are you?" Mr. Das asked, adjusting his thick glasses as he shuffled over.
"I want to see the 'Roja Era,' Das Uncle," Karthik replied. "Not the truncated versions on YouTube. I want the full story."
Mr. Das smiled, a glint in his eye. "Then we must start at the beginning. The explosion."
Chapter I: The Spark
Mr. Das pulled a cassette from the shelf. The label was faded, reading Sembara Poo (1992).
"Her debut in Tamil," Das narrated, sliding the tape into the battered VCR. "She didn't enter the industry; she stormed it. Before her, the heroines were often the silent sufferers, the wilted flowers. Roja? She was the fire." Roja’s on-screen chemistry and dance numbers continue to
The CRT television flickered to life. The grainy visuals couldn't hide her charisma. Karthik watched, mesmerized. She wasn't just a prop for the hero; she matched Prabhu Deva’s energy step-for-step in the dance numbers. She had a radiant, unapologetic face that could switch from comedic innocence to deep emotion in a heartbeat.
"She redefined the 'glamour' quotient of the 90s," Karthik noted, watching a popular song sequence where her expressions were as loud as the synthesizer beats. "She wasn't trying to be delicate. She was bold."
Chapter II: The Reign of the Queens
"She worked with the titans," Das said, pulling another tape—Uzhaippali (1993), starring the Superstar Rajinikanth. "To stand next to Rajini sir and not get overshadowed is a feat."
They watched a scene where she stood toe-to-toe with the legend. The chemistry was palpable. But as the hours passed and the sun began to dip, the narrative of her filmography shifted. It wasn't just about big-budget masala films.
Das swapped the tape for Vanaja Girija (1994). "This was the era of the 'Super Hit' songs. Roja was the queen of the 'duet.' Hill stations, sarees billowing in the wind, synchronized dancing. Her videos were staples at every wedding and temple festival."
Karthik laughed as he recognized the iconic steps. "These moves are legendary now. Memes are made of them, but back then... this was the height of cool."
They moved through the years. Muthu (1995), Love Birds (1996). Karthik noticed a pattern. In an era dominated by male superstars, Roja carved out a niche where she was the definitive leading lady. She was the industry’s lucky charm. If Roja was in the film, the video was a guaranteed hit in the rental circuit.
Chapter III: The Iron Lady
As the evening turned to dusk, the mood in the shop shifted. Das played a clip from the Telugu film Prema Tarangalu or perhaps a later Tamil drama.
"But she wasn't just a songbird," Karthik murmured. "She had teeth." During this period, Roja was arguably the busiest
"Exactly," Das nodded. "The popular videos often focus on the songs, the beauty. But the filmography tells a story of resilience. She played characters who were wronged and who fought back. She was the 'Thunder' before she became the 'Roja' of politics."
They watched a climactic courtroom scene from one of her later films. Her eyes blazed with the same intensity she now brings to political debates. It was a full-circle moment. The actress who once danced in the Swiss Alps for the camera was now fighting real-world battles, utilizing that same commanding voice.
The Finale
It was dark outside when Das turned off the TV. The static faded into silence.
"She left the industry at her peak," Karthik said, stretching his legs. "Why?"
"Because she found a bigger stage," Das said, locking the shop door. "She realized that the scripts were becoming repetitive. The heroine was becoming a wallflower again. Roja needed to be the center of the storm. She traded the reel for the real."
Karthik
The song *"Thillana Thillana" * from Muthu remains the most viewed video featuring Roja. The vibrant choreography, coupled with Rajinikanth’s swag and Roja’s graceful moves, has garnered over 100 million cumulative views on YouTube. Clips of their romantic scenes from Muthu and Siva are constantly re-uploaded by fans.
Born into a Telugu-speaking family, Roja made her acting debut as a teenager. However, it was her transition to Tamil cinema that cemented her legacy. Unlike many heroines of her time who relied solely on glamour, Roja carved a niche in performance-oriented roles. She shared screen space with the "Superstar" Rajinikanth, the "Ulaga Nayagan" Kamal Haasan, and the then-emerging Vijay and Ajith.
Her ability to cry on cue, deliver powerful monologues, and hold her own against male-dominated scripts made her a director’s favorite.