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Description:Taking it back to 2008 with this rare Sean Paul collection! This archive contains the "A New Age" era tracks, including some harder-to-find remixes and mixtape cuts from the peak of the mid-2000s Dancehall wave. Format: .rar (Compressed) Artist: Sean Paul Release Year: 2008 Genre: Dancehall / Reggae-Fusion Option 2: The "Technical/File Sharing" Style Best for README files or direct download descriptions.

File Name: Sean-Paul-A-New-Age-2008.rar.rarContent: Audio compilation of Sean Paul tracks circa 2008.Note: Please note the double .rar extension. You may need to extract the file twice or rename it by removing the redundant extension for your extraction software to recognize it properly. Option 3: The "Catchy Social Media" Style Best for sharing a link on Discord or Twitter. Sean Paul - A New Age (2008) 🇯🇲🔥

Found this old archive in the vaults! If you’re looking for those 2008 Sean Paul vibes, here is the full "A New Age" pack. Perfect for a throwback playlist.

Note: If the file doesn't open, just delete the extra ".rar" at the end! A Quick Tip on that File Name

The extension .rar.rar is often a mistake or a result of double-zipping. If you are sending this to someone, you might want to rename it to just Sean-Paul-A-New-Age-2008.rar to make it look cleaner and avoid "virus" suspicions, as double extensions are sometimes flagged by security software.

Title: Exploring Sean Paul's Musical Evolution: A Focus on "The Trinity" (2008)

Introduction

Sean Paul, a Jamaican rapper, singer, and record producer, has been a significant figure in the music industry since the late 1990s. With his unique blend of dancehall, reggae, and hip-hop, Sean Paul has managed to captivate audiences worldwide. This paper aims to explore Sean Paul's musical journey, with a particular focus on his 2008 album "The Trinity," which seems to be the album in question, given the context.

Background and Musical Style

Born on January 9, 1973, in Kingston, Jamaica, Sean Paul began his music career in the late 1990s. His debut album, "Daddy Luvin'," was released in 2000, but it was his second album, "Gimme the Light," released in 2002, that brought him international recognition. Sean Paul's music style is characterized by his rapid-fire flow, distinctive Jamaican Patois accent, and his ability to blend various genres.

The Trinity (2008)

"The Trinity" is Sean Paul's fifth studio album, released on September 28, 2007, in the United States (though it seems there might be confusion with the date or title based on your query). The album features 15 tracks and includes collaborations with artists like Lil Wayne, K-Os, and Cham. The album was a commercial success, reaching the top ten in several countries, including the US, where it peaked at number 5 on the Billboard 200 chart.

Musical Themes and Impact

The songs on "The Trinity" explore themes of love, dancehall culture, and universal messages of unity and celebration. Tracks like "Temperature," "Body Fire," and "Get Busy" showcase Sean Paul's ability to produce dance-friendly hits that resonate with a broad audience. The album's success can be attributed to Sean Paul's continuous evolution, adapting to changing musical landscapes while staying true to his roots.

Conclusion

Sean Paul's "The Trinity" represents a significant milestone in his career, demonstrating his versatility and enduring appeal. Through his music, Sean Paul has not only contributed to the global popularity of dancehall and reggae but has also played a role in bridging cultural and genre gaps. As the music industry continues to evolve, Sean Paul's legacy as a pioneer of fusion genres and his impact on contemporary music remain noteworthy.

References

It looks like you’re asking for the contents of a file named Sean-Paul-A-New-Age-2008.rar.rar.

However, I cannot directly access, open, or list the contents of files on your computer or any external server. Sean-Paul-A-New-Age-2008.rar.rar appears to be a double-compressed RAR archive (possibly named that way by mistake or to evade detection).

If you want to see its contents yourself, here’s what you can do:

  • Extract the second layer — after the first extraction, you’ll likely get another .rar file (or a folder with one inside).
  • List contents without extracting (command line):
  • If you meant to ask what the expected content of an album/folder named Sean Paul - A New Age (2008) might be — that title doesn’t match any official Sean Paul album. His major albums include Dutty Rock (2002), The Trinity (2005), Imperial Blaze (2009), etc. A New Age could be a bootleg, fan compilation, or mislabeled release.

    Would you like help with:

    Finding a specific archive like "Sean-Paul-A-New-Age-2008.rar.rar" is like uncovering a time capsule from the height of the dancehall-pop crossover era. This file likely contains the unreleased mixtape A New Age, which surfaced around 2007–2008 as a bridge between Sean Paul's massive success with The Trinity (2005) and his 2009 follow-up, Imperial Blaze. The "New Age" of Dancehall

    In the late 2000s, Sean Paul was transitioning from party anthems like "Temperature" toward tracks that addressed deeper themes, including youth violence in Jamaica. A New Age represents this experimental phase, often featuring:

    Unreleased Gems: Tracks that didn't make the final cut for studio albums.

    Classic Collaborations: Features with artists like Busta Rhymes, Keyshia Cole, and Sasha.

    Signature Riddims: Hard-hitting dancehall beats mixed with the smooth, melodic hooks that made him a global icon. Why Collectors Hunt for This RAR

    Because this project was never a formal "retail" release, it primarily lived on peer-to-peer (P2P) sites and forums. The double .rar.rar extension is a classic hallmark of early-2000s internet archiving, often used to bypass upload filters or simply as a result of repeated compression. Key Tracks to Look For

    If you've managed to unpack the archive, you’ll likely find favorites that defined his mid-2000s sound:

    "All Alone" and "All Out" – Frequently cited tracks on platforms like Last.fm.

    "Intro (A New Age)" – The definitive opener for this mixtape era.

    "One Life" – A track that highlights the more conscious side of his music.

    For fans of Sean Paul’s full discography, this mixtape is a rare piece of dancehall history that captures an artist at his creative peak, testing the boundaries of the genre.

    It sounds like you may have a file with a double .rar extension, which can sometimes happen due to renaming or download errors.

    However, if you’re looking for a proper text description for this file (e.g., for an upload, catalog, or release log), here’s a suggested format:


    File name: Sean-Paul-A-New-Age-2008.rar.rar
    Proper title: Sean Paul – A New Age (2008)
    Format: RAR archive (possibly compressed twice)
    Contents (presumed): Music tracks by Sean Paul, album titled “A New Age” (unofficial or rare release from 2008)
    Note: The double .rar extension may require renaming to .rar before extraction, or using an extraction tool that ignores extra extensions.


    If you instead need a fix for the file, here’s what to do: Sean-Paul-A-New-Age-2008.rar.rar

    To address your query or provide assistance, I'll need more context. Are you looking for information on:

    Please provide more details or clarify your question so I can offer a more specific and helpful response.

    That file name looks like a classic example of a misleading or potentially malicious download.

    The double extension (.rar.rar) is a common tactic used to hide the true nature of a file. In many cases, these files aren't actual music albums but are instead used to deliver adware, malware, or survey-scams. Key Red Flags

    The Double Extension: Real archives rarely use .rar.rar. This is often done so that if a user has "Hide extensions for known file types" enabled in Windows, it just looks like a normal .rar file, while the actual final extension might even be something hidden like .exe.

    Release Context: Sean Paul did not have an official studio album titled A New Age in 2008. His major releases around that time were The Trinity (2005) and Imperial Blaze (2009). This suggests the file is likely a fake "leak" or a poorly labeled bootleg.

    The "Solid Piece" Tag: This phrasing is often associated with automated bots or spam scripts used on old file-sharing forums and P2P networks to make a file seem verified or high-quality. Safety Recommendations

    Do Not Open It: If you have already downloaded this, avoid extracting it or running any files inside.

    Delete the File: It is safest to remove it from your system immediately.

    Use Official Sources: If you are looking for Sean Paul's music from that era, it is much safer to use verified platforms like Spotify, Apple Music, or YouTube Music.

    The Evolution of Sean Paul: A New Age (2008) and the Impact of Compressed Files

    In 2008, dancehall sensation Sean Paul released his fourth studio album, "A New Age". The album marked a significant shift in his musical style, exploring new sounds and collaborations. Around the same time, the internet was abuzz with the sharing of compressed files, including the one referenced in our keyword: "Sean-Paul-A-New-Age-2008.rar.rar".

    The Rise of Sean Paul

    Born Sean Paul Henriques, the Jamaican artist rose to fame in the early 2000s with his unique blend of dancehall, reggae, and hip-hop. His breakthrough album, "Duty Free" (2003), spawned hits like "Gimme the Light" and "Get Busy". Sean Paul's subsequent albums, "The Trinity" (2005) and "A New Age" (2008), solidified his position as a leading figure in the music industry.

    A New Age: Exploring the Album

    "A New Age" featured a more mature and experimental Sean Paul, with tracks like "Temperature", "Vines" (feat. Elephant Man), and "Come Over" (feat. Usher & David Guetta). The album received generally positive reviews, showcasing Sean Paul's ability to adapt to changing musical trends.

    The Era of Compressed Files

    In the mid to late 2000s, the internet was witnessing a surge in file sharing and compression. Formats like .rar and .zip became increasingly popular, allowing users to bundle and distribute large files, including music albums, more efficiently. The "Sean-Paul-A-New-Age-2008.rar.rar" file likely contained a compressed version of the album, making it easily shareable among users.

    The Impact of Compressed Files on Music Distribution

    The rise of compressed files and peer-to-peer (P2P) file sharing significantly impacted the music industry. While it opened up new avenues for artists to reach a wider audience, it also raised concerns about copyright infringement and the devaluation of music. The music industry responded by adapting to the digital landscape, with many artists and labels embracing digital distribution platforms.

    The Legacy of Sean Paul and Compressed Files

    Today, Sean Paul remains a respected figure in the music industry, continuing to release new music and collaborate with artists from various genres. The era of compressed files, including the "Sean-Paul-A-New-Age-2008.rar.rar" file, serves as a nostalgic reminder of the early days of digital music sharing.

    As we look back, it's clear that the music industry has undergone significant changes since the release of "A New Age" and the proliferation of compressed files. The way we consume music has evolved, with streaming services and social media platforms dominating the landscape.

    Conclusion

    The keyword "Sean-Paul-A-New-Age-2008.rar.rar" may seem like a relic of the past, but it represents a pivotal moment in the intersection of music and technology. As we move forward, it's essential to acknowledge the impact of compressed files on music distribution and the evolution of artists like Sean Paul, who have adapted to the changing digital landscape.

    By understanding the context and significance of this keyword, we can appreciate the complex relationships between music, technology, and culture. As the music industry continues to evolve, it's crucial to recognize the importance of innovation, adaptability, and the enduring power of music to bring people together.

    "Sean-Paul-A-New-Age-2008.rar.rar" is a 2008 unofficial mixtape or compilation appearing as a digital archive, filling the gap between Sean Paul's The Trinity Imperial Blaze

    . The collection, typical of early P2P sharing, features his signature dancehall-pop style and often surfaces on digital platforms, as seen at Mp3million

    rather than actual music or media. Files with double extensions (like

    ) are a classic technique used to hide the true nature of a file or to trick users into executing scripts.

    Below is a guide on how to safely handle and investigate this file without compromising your system. 1. Risk Assessment: Red Flags Double Extension:

    suffix is a major red flag. Legitimate archives almost never use this format. It is often used to hide a final executable extension (e.g.,

    ) on systems where "Hide extensions for known file types" is enabled. Obscure Title:

    While Sean Paul is a well-known artist, "A New Age (2008)" is not a standard official studio album title from that year (his major 2000s albums were Dutty Rock The Trinity Imperial Blaze Small File Size:

    If the file is only a few kilobytes or megabytes, it cannot possibly contain a high-quality music album. 2. Preliminary Investigation (Non-Execution) Do not double-click or "Extract" this file normally. Check File Size:

    Compare the size of the file to a standard album (usually 60MB–150MB). If it is very small (under 5MB), it is almost certainly a virus or downloader. View Full Extensions:

    Ensure your operating system is showing all file extensions. On Windows, go to File Explorer Options "Hide extensions for known file types." You may find the real name is something like Sean-Paul-A-New-Age-2008.rar.exe 3. Safe Scanning & Analysis

    If you want to verify the contents without opening it, use these tools: VirusTotal: Upload the file to VirusTotal

    . It will scan the file against 70+ antivirus engines. If even one or two flag it as "Trojan," "Downloader," or "Malware," delete it immediately. Hybrid Analysis: For deeper inspection, use Hybrid Analysis

    . This tool runs the file in a sandbox and shows you exactly what it tries to do (e.g., "attempts to contact a remote server" or "modifies registry keys"). 4. How to Safely "Look Inside" If you must see what is inside, use a Virtual Machine (VM) Windows Sandbox:

    If you have Windows 10/11 Pro, enable "Windows Sandbox." Move the file there and attempt to open it. Any damage will be contained within the sandbox and wiped when you close it. Archive Preview: Use a reputable tool like . Right-click the file and select "Open Archive" (do NOT select "Extract Here"). If the archive contains an file, it is

    If the archive is password-protected and directs you to a website to get the "code," it is a survey scam phishing link Summary Recommendation Delete the file.

    There is no evidence of a legitimate Sean Paul release by this name in this specific file format. It bears all the hallmarks of a Summary

    designed to infect your computer when you try to "unzip" it. verified discography or official streaming links for Sean Paul's 2008-era music?

    The search result Sean-Paul-A-New-Age-2008.rar.rar typically refers to a fan-made compilation or a bootleg collection of tracks rather than an official studio album by the Jamaican dancehall artist Sean Paul . Key Context & Reviews

    Compilation Nature: Based on listings on platforms like SoundCloud, this "album" is often titled A New Age or One Life and consists of various singles, riddims, and collaborations released around 2007–2008.

    Production Style: The tracks from this era reflect Sean Paul’s signature dancehall fusion, blending authentic Jamaican sounds with pop-friendly production. Reviewers of his mid-2000s work, such as The Trinity (2005) and the lead-up to Imperial Blaze (2009), often highlight his "unique voice" and ability to "manipulate breathing and diaphragm" to create his distinctive flow [24, 25].

    Sound Quality: Because this is a .rar file (a compressed archive), the quality can vary significantly depending on the source of the mp3s. Official releases from this period are known for high-energy "machine music" aesthetics and club-ready riddims like the ones found in "Temperature" [26]. Missing Information As this is likely a pirated or unofficial archive:

    Tracklist: There is no "official" tracklist, though it typically includes leaked tracks that eventually appeared on Imperial Blaze.

    Security Risk: Be cautious when downloading .rar.rar files from unofficial sources, as double extensions are a common tactic used to hide malware or executable scripts.

    The keyword "Sean-Paul-A-New-Age-2008.rar.rar" refers to a specific digital archive that circulated on file-sharing platforms during the late 2000s. While not an official studio album, this file represents a significant era in Sean Paul's career as he transitioned between major projects. The Context of "A New Age" (2008)

    In 2008, Sean Paul was in a unique transitional phase. He had dominated the mid-2000s with the massive success of The Trinity (2005), but his next official studio album, Imperial Blaze, was not released until August 2009.

    During this four-year gap, various unofficial "mixtapes" and compilations like "A New Age" appeared online. These files typically bundled:

    Unreleased Tracks: Demos or songs recorded during the 60-track sessions for his upcoming project.

    Riddim Features: Sean Paul's verses from various Jamaican riddim compilations that hadn't been collected on a solo album.

    Remixes: Club and radio edits of his hits like "(When You Gonna) Give It Up to Me" or "Temperature". Understanding the .rar.rar Extension

    The unusual double file extension (** .rar.rar**) is a hallmark of the file-sharing culture of that era.

    Standard Compression: A RAR file is a proprietary archive format developed by Eugene Roshal to bundle multiple files into one smaller package.

    Double Archiving: The ".rar.rar" naming often occurred when a user "double-zipped" a file, either to bypass file-type filters on early upload sites or due to a simple naming error during the archival process.

    Digital Preservation: Today, these archives are often sought after by fans for "lost" tracks that never made it to streaming services like Deezer or Spotify. Sean Paul’s Career Trajectory at the Time

    By 2008, Sean Paul was shifting his focus from purely party-oriented tracks to themes addressing youth violence in Jamaica, a direction he explored more deeply in subsequent mixtapes and the early drafts of Imperial Blaze. For collectors, "A New Age" serves as a bridge between his "Dutty Rock" era and the more experimental "Tomahawk Technique" style that followed years later.

    While not an official studio album released by Atlantic Records (which followed The Trinity in 2005 with Imperial Blaze

    in 2009), this specific archive reflects the digital landscape of 2008—a year defined by peer-to-peer sharing, Limewire, and the transition from physical CDs to compressed digital folders. The Context of 2008

    By 2008, Sean Paul was the undisputed face of commercial dancehall. Having dominated charts with Temperature

    , fans were hungry for new material during his four-year gap between official albums. This led to the proliferation of "unofficial" projects often titled with forward-looking names like "A New Age." What the File Likely Contained Files with the double extension

    were common on file-hosting sites like RapidShare or MediaFire. They typically housed: Unreleased Dubplates:

    Rare versions of hits recorded specifically for sound systems. Riddim Compilations: Sean Paul’s verses on popular 2008 riddims (like the Collaborations: High-energy tracks with artists like Busta Rhymes Keyshia Cole (e.g., "(When You Gonna) Give It Up to Me"). Low-Bitrate Rips:

    Audio often encoded at 128kbps, captured from radio broadcasts or early YouTube uploads. The "Double Extension" Phenomenon

    suffix is a hallmark of "re-packing." Users would often download a compressed archive and, to save space or bypass upload filters, compress it a second time. It also occasionally signaled: Multi-part Archives:

    A way to split large files into smaller chunks for slower 2008 internet speeds. User Error:

    A simple naming mistake during the "Save As" process on Windows XP/Vista. Security Risk:

    In some cases, double extensions were used to hide malware (e.g.,

    ), though in the music community, it was usually just a sign of clumsy file management. Legacy of the Digital Mixtape

    For many, "Sean-Paul-A-New-Age-2008" represents the "lost years" of dancehall—the bridge between the analog "riddim" culture of Jamaica and the digital streaming era. It captures a moment when fans had to hunt through forums and blogspots to find the latest "Dutty Rock" sounds before they ever hit a platform like Spotify. official discography from that era instead, or are you trying to track down a specific tracklist from a 2008-era mixtape?

    There is no official Sean Paul album titled A New Age. During that specific period, the most notable releases and context for Sean Paul include: Official Career Context (2008)

    Imperial Blaze (2009): Sean Paul was recording and preparing for his fourth studio album, Imperial Blaze, which was released the following year.

    The Trinity (2005): Many unofficial "2008" rar files circulating at that time often contained leftovers or remixes from his massive 2005 album, The Trinity.

    Mixtape Era: 2008 was the peak of digital mixtape culture where DJs would bundle popular dancehall tracks (like those on the Jahschools Riddim Pack or Rub-A-Dub Riddim) into rar files for sharing. Important Safety Note

    The file extension .rar.rar is a common red flag in digital security.

    Double Extensions: Legitimate archives rarely use double extensions. This is often used to hide the true file type (like .exe or .scr) to trick users into running malicious code.

    Source Reliability: Files distributed as rar archives on peer-to-peer or unofficial forums from that era frequently contained "adware" or "trojans" disguised as music files.

    If you are looking for Sean Paul's music from that era, it is highly recommended to stick to official platforms like Spotify, Apple Music, or his Official YouTube Channel to ensure you are downloading safe, high-quality audio.

    tracks that circulated on file-sharing sites and forums around 2008

    Because it is an unofficial release, it doesn't appear on his official discography via Wikipedia

    or major streaming platforms. However, here is the context of what that specific "content" likely contains and the era it represents: The "A New Age" Era (2008) In 2008, Sean Paul was between his massive album The Trinity (2005) and his next major release, Imperial Blaze

    (2009). During this time, many "New Age" or "Unreleased" RAR files were compiled by fans and DJs to bridge the gap. Likely Tracklist: These archives usually featured hit singles like "Temperature" "Get Busy" alongside leaked demos, dancehall riddim features (like the riddims), and collaborations. The ".rar.rar" Extension: The double extension is a common sign of a nested archive Highlights

    often used in older peer-to-peer (P2P) sharing. It can also sometimes be a red flag for malware, so use caution if you are attempting to open such a file from an unverified source. Major Hits from that Timeframe

    If you are looking for the music from that specific Sean Paul era, these were the tracks dominating the scene: "Watch Dem Roll" : A lead single from the Imperial Blaze : Released shortly after the 2008 period. "Give It Up To Me"

    : A late-era hit from his previous cycle that remained on every 2008 mixtape. Technical Note If you have this file and are trying to access the music: Decompress twice: You will likely need a tool like or WinRAR to extract the first layer, and then repeat the process for the second. Verify Contents: Once extracted, the files should be in format. If you see

    If you're interested in Sean Paul's music, I can suggest some of his popular tracks or albums that might be worth exploring. Sean Paul is a well-known Jamaican artist famous for his energetic dancehall and reggae music.

    Here are a few points about Sean Paul:

    If you're looking for music by Sean Paul, I recommend checking out legal and safe sources such as music streaming platforms (Spotify, Apple Music), official artist websites, or digital music stores (iTunes, Google Play Music). These platforms not only provide access to his music but also support the artist and the music industry.

    The keyword "Sean-Paul-A-New-Age-2008.rar.rar" refers to a rare, largely unreleased, or "lost" era in the career of dancehall legend Sean Paul. While many fans associate 2008 with a gap between his multi-platinum success of the mid-2000s and his 2009 comeback, this specific file name points to a significant moment in early digital music culture. The Mystery of A New Age (2008)

    In late 2007 and throughout 2008, rumors circulated in the music industry and on platforms like Instagram that Sean Paul’s fourth studio album would be titled A New Age.

    At the time, Paul was coming off the massive global success of The Trinity (2005), which produced hits like "Temperature" and "(When You Gonna) Give It Up to Me". A New Age was intended to be his follow-up, originally slated for a Summer 2008 release. However, the project was eventually reworked, and most of its tracks were either shelved or moved to his 2009 release, Imperial Blaze. What is in the .rar.rar File?

    The double extension .rar.rar is a hallmark of the 2000s file-sharing era on sites like Megaupload and RapidShare. These files typically contained:

    Leaked Demos: Early versions of tracks like "So Fine" or "Press It Up" that eventually appeared on Imperial Blaze.

    Unreleased Collaborations: Rumored 2008 sessions with artists like Akon and Pitbull, who were dominating the charts at the time.

    Mixtape Tracks: Songs such as "Nah Go A Jail Again" and "Tic Toc," which gained heavy airplay in 2008 but were not part of a standard studio LP. Legacy of the 2008 "Lost" Album

    Instead of releasing A New Age, Sean Paul’s label, Atlantic Records, released a 2-disc collection of his previous hits, titled Dutty Rock / The Trinity, in September 2008 to maintain his market presence.

    The transition from the "New Age" concept to Imperial Blaze marked a shift in Sean Paul's sound toward a more experimental, "wholly Jamaican-produced" style that moved away from the radio-centric pop-dancehall of his earlier years. Today, "Sean-Paul-A-New-Age-2008" remains a nostalgic search term for fans of the "Golden Age" of digital music piracy and dancehall's global peak.

    The file "Sean-Paul-A-New-Age-2008.rar.rar" is highly likely to be a malicious file or a "fake" archive used to distribute malware. While there is no official discography entry for a Sean Paul album or project titled "A New Age" from 2008 (his major releases around that time were The Trinity in 2005 and Imperial Blaze in 2009), the file naming convention is a major red flag. Security Warning: File Analysis

    Double Extension Risk: The use of a double extension (.rar.rar) is a classic obfuscation technique. It is often used to trick users into clicking a file that may actually be an executable (.exe) or a script hidden by system settings that "hide extensions for known file types."

    Suspicious Origins: This specific filename frequently appears in database logs of malicious URLs and automated file scrapers. It often points to unverified or unsecured IP-based servers (e.g., 13.208.243.66) rather than official music retailers or reputable hosting services.

    Malware Indicators: Files found with this naming pattern are commonly associated with:

    Adware/PUPs: Programs that flood your system with advertisements.

    Trojan Downloaders: Small files that, once opened, download more dangerous ransomware or spyware.

    SEO Spam: Sites listing these files often use "keyword stuffing" (mixing celebrity names with health topics or software) to lure users into clicking infected links. Recommendations

    Do Not Open: If you have downloaded this file, do not extract or execute it.

    Delete Immediately: Move the file to your trash and empty it.

    Scan Your System: Run a full system scan using a reputable security tool like Malwarebytes or Windows Security to ensure no background processes were started.

    Source Official Music: If you are looking for Sean Paul's 2008 era music, refer to official platforms like Spotify or Apple Music to avoid security risks.

    While there is no official studio album by Sean Paul with that exact title, "A New Age" was a widely circulated unofficial mixtape or street album released during the peak of the dancehall superstar's global influence. 💿 Album Overview: Sean Paul - A New Age (2008)

    During the late 2000s, Sean Paul was transitioning between his massive commercial success with The Trinity (2005) and his follow-up Imperial Blaze (2009). Mixtapes like A New Age served as bridge projects, featuring a mix of:

    New Originals: Tracks that were being tested for radio play.

    Dubplates: Exclusive versions of hits recorded specifically for sound systems.

    Remixes: Collaborations with Hip-Hop and R&B artists that weren't on official LPs. 🎵 Key Tracks Often Included

    While tracklists for unofficial releases vary, this era of Sean Paul’s music typically included:

    "One Life": A melodic, mid-tempo track often cited as the standout of this collection.

    "Always on My Mind" (Remix): His popular collaboration with Da'Ville.

    "Watch Them Roll": A high-energy track from the Reggae Gold 2008 era.

    "Temperature" (Live/Remix versions): Retaining the momentum of his #1 Billboard hit. ⚠️ Important File Security Note

    If you have downloaded a file with a double extension like .rar.rar, please be cautious:

    Malware Risk: Real archive files rarely use double extensions (e.g., .rar.rar or .zip.exe). This is a common tactic used to hide malicious scripts.

    Verification: Before opening, scan the file with updated antivirus software or upload it to a service like VirusTotal.

    Format: If it is a legitimate multi-part archive, you may need to rename it or use a tool like WinRAR or 7-Zip to extract the contents. 📻 Context: Sean Paul in 2008

    In 2008, Sean Paul was the face of Global Dancehall. His sound was evolving from raw "riddim" culture to a more polished, "New Age" pop-hybrid style that paved the way for modern tropical house and reggaeton crossover hits.

    If you're looking for Sean Paul's official discography from that era, you might enjoy:

    The Trinity (2005): Featuring "Temperature" and "We Be Burnin'".

    Imperial Blaze (2009): Featuring "So Fine" and "Press It Up".

    Are you trying to extract the tracks from this specific file, or

    An ivory plaque with a depiction of the Mistrees of Animals from Syracuse, Sicily at My Favourite Planet

    An ivory plaque with a depiction of
    the "Mistress of Animals" in the
    Peloponnesian tradition. 700-650 BC.
    The figure, with sickle-shaped wings,
    stands between a sitting bull or cow
    and a standing goat.

    Found in a tomb in Syracuse, Sicily.

    Paolo Orsi Archaeological Museum,
    Syracuse, Sicily.
     

    The Mistress of Animals on a relief pithos at My Favourite Planet

    The "Mistress of Animals" on the neck of a
    relief pithos made in a Cycladic workshop.
    7th century BC. See below.

    National Archaeological Museum,
    Athens. Inv. No. 355.
     

    Cretan Master of Animals, British Museum, London at My Favourite Planet

    Minoan sheet gold pendant showing a Cretan nature god,
    known as "the Master of Animals". Circa 1850-1550 BC.

    The figure, wearing a tall headdress, Minoan kilt, earrings and bracelets, stands
    in the attitude of the Master of Animals, holding two birds (geese or swans) by
    their necks. The curved, ridged elements on either side of the birds are thought
    to derive from stylized bulls' horns. Egyptian influence can be seen in the three
    lotus flowers among which the figure stands.

    From the "Aegina Treasure", a collection of Minoan jewellery
    said to have been found in a tomb on the island of Aegina in 1891.
    Height 6 cm, width 6.3 cm, weight 138 grains.

    British Museum. Inv. No. GR 1892.5-20.8 (Jewellery 762). Purchased in 1892.
     

    Replicas of two faience figurines of Minoan snake goddesses at My Favourite Planet

    Replicas of two reconstructed faience figurines of Minoan "snake goddesses"
    from the "Temple Repositories" in Knossos, Crete, 1650-1600 BC. Height 34.3 cm.

    Casts made by Halvor Bagge (1866-1939?), a Danish artist who worked at Knossos
    1902-1905. The original figurines, discovered in 1903 and reconstructed by
    Arthur Evans, are in the Heraklion Archaeological Museum, Crete.

    Ashmolean Museum, Oxford. Inv. No. AE. 1106, 1106 a.
     

    Potnia inscribed on a Mycenaean Linear B tablet at My Favourite Planet

    A fragment of a clay tablet inscribed in Linear B script, mentioning "Potnia" (po-ti-ni-ja; Πότνια).

    13th century BC. From the archives of the Mycenaean palace of Thebes, Boeotia, central Greece.
    One of a number of such fragments of tablets recording the dispatch of wool to female weavers
    and embroiderers working in the service of deities such as Hera, Potnia and Hermes.

    Thebes Archaeological Museum.
     
    The snake goddess plaque from the Athenian Agora at My Favourite Planet   The head of the snake goddess plaque, Agora Museum, Athens at My Favourite Planet

    The "snake goddess plaque" discovered in the Athens Agora.

    A painted terracotta votive plaque, dated to the mid 7th century BC,
    with a depiction of a female figure standing between two snakes.
    Height 24.8 cm, width (top) 13.3 cm, (bottom) 12.5 cm, thickness 1.1 cm.

    Agora Museum, Athens. Inv. No. T 175.

    The plaque was excavated in March 1932 in a deposit containing several other fragments of Proto-Attic ceramic objects, 1.9 metres west of the north-south wall of the Agora. The objects may have been brought from other locations outside the Agora, and used as fill material for the foundation of a path or road during the 7th century BC.

    The painting is in deep red over a white slip, with some details in yellow and blue. There are holes in the upper corners, indicating that it was nailed to the wall of a building.

    The figure, wearing a long, voluminous chiton, stands with both arms raised and with spread fingers; her thumbs are extended inwards, her palms facing forwards. Her head and neck are in relief, with the facial features modelled three dimensionally. Her painted hair has a curled fringe along the top of the forehead, with four wavy locks on each side of the head falling to her shoulders. The oval face has wide open, blue-green eyes, lined in red, with red-painted brows which meet above her nose and closed mouth.

    Either side of the figure is a long snake with a wavy body taking up most of the height of the plaque, ending with a head just below the head of the goddess. The snake on the left, painted red, has a forked tongue, and is separated from the goddess by a painted frame from which plant-like forms extend horizontally into the spaces formed by the inner curves of the snake's body. The snake on the right is blue with a red outline; the spaces of the inner curves of the body have been filled with orientalizing dotted floral motifs.

    It is thought that the scene represents an epiphany (ἐπιφάνεια), the goddess revealing or manifesting herself to her worshippers. According to a recent theory, the figure may depict the goddess Demeter, one of the Greek female deities associated with snakes.
     
     

    The Mistress of Animals on the neck of a Cycladic relief pithos at My Favourite Planet

    The "Mistress of Animals" on the neck of a relief pithos made in a workshop
    in the Cycladic islands, 7th century BC. She stands in a frontal position with
    her head facing forwards, her arms raised in a gesture of epiphany (as in
    the "snake goddess plaque"above). She wears a crown, and from either
    side of her head spread antler-like or branches covered in flowers. She is
    flanked by two confronting, rearing lions (or lionesses), although they do
    not touch her hands. She is embraced by two women worshippers, shown
    at a smaller scale, who hold on to each side of her long garment.

    From Thebes. 675-650 BC.

    The vessel has been restored from several fragments. On the front
    of the body is a relief of a row of does walking to the right, and on
    the register below a row of stags grazing and walking to the left.
    There appears to have been no relief decoration on the back.

    National Archaeological Museum, Athens. Inv. No. 355.

    It is thought that such relief pithoi  (πίθος, storage jar; plural, pithoi, πίθοι),
    large ceramic storage vessels decorated with a variety of figurative and
    abstract designs, were produced in the 7th century BC in several places
    around the Aegean (probably centred around Tenos), including the
    Cyclades, Crete and Rhodes. They have also been found on Naxos, Melos,
    Thera, Delos and Mykonos, as well as in Athens, Eretria and Boeotia.

    See, for example:

    The "Mykonos Vase", a large pithos made on Tenos around 675-650 BC, with
    reliefs depicting the Trojan Horse (the Wooden Horse of Troy) and the sack of Troy.

    A relief of Perseus and Medusa on a Cycladic pithos found in Thebes.
     

    The Master of Animals depicted on bronze horse blinker from Syria at My Favourite Planet

    A bronze horse blinker from north Syria with a depiction of the "Master of Animals"
    holding a lion by its tail in each hand.

    9th century BC. Discovered in 1973 at the temple of Apollo Daphnephoros, Etertia,
    Euboea, during excavations by the Swiss School of Archaeology in Greece.

    Eretria Archaeological Museum. Inv. No. ME 7007.

    A matching blinker, now in the National Archaeological Museum, Athens (Inv. No. X 15070), had been found earlier in Eretria, during excavations led by the Greek archaeologist Konstantinos Kourouniotis (Κωνσταντίνος Κουρουνιώτης, 1872-1945). His find was first published in 1933. The Aramaic inscription on the fragmentary blinker is now incomplete and difficult to read due to corrosion. However, an identical, more legible inscription was discovered on a decorated bronze frontlet, an ornament for a horse's forehead, with a very similar iconography, found more recently at the Heraion on Samos. The Samian inscription provided the key to that on the Eretrian blinker, which has been translated as:

    "That which Hadad gave our lord Hazael from 'Umqi in the year that our lord crossed the river."

    "Lord Hazael" is taken to be the king of Aram at Damascus (reigned circa 844-800 BC), mentioned in the Old Testament of the Bible (Book of Kings). The river may be the Euphrates. These are among a number of Hazael’s "booty inscriptions", found at ancient sites from the Aegean to Mesopotamia, which boast his military victories. Like many objects from distant lands dedicated at Greek sanctuaries, it is not certain how or when these blinkers ended up in Eretria. It is thought that the bronze frontlet was brought to Samos as a gift to Hera in the 7th century BC, perhaps as a souvenir obtained by Greek or foreign travellers (see, for example, an ivory lion from Egypt found at the Samian Heraion).
     
     

    Archaic ivory Master of Animals statuette at My Favourite Planet

    Archaic ivory statuette of a male figure in the
    "Master of Animals" pose from Delphi, Greece.

    Second half of the 7th century BC.
    Height 22.5 cm, maximum width 6 cm.

    Delphi Archaeological Museum. Inv. No. 9912.

    Discovered in 1939 during the excavation of two deposition pits on the Sacred Way at Delphi, in which several votive objects, from the late 8th - 5th centuries BC, had been carefully buried after being damaged by a fire around 420 BC.

    The back of the figure is flat, suggesting that it was an attachment for a box or piece of furniture. The figure may represent a hero or deity, perhaps Apollo, taming a wild animal as a symbol of nature itself. He holds a spear in his right hand, and his left hand rests on the head of a lion, shown at a smaller scale, standing on its hind paws in a pose reminiscent of heraldic iconography. He stands on a base decorated with a meander.

    Thought to be a work of a Greek artist from East Greece (western Anatolia and eastern Aegean islands), with oriental influence. It is the only figure of this type found in Greece, and it has been suggested that it may have been made in Phrygia, Anatolia. It has even been suggested that it could be part of the throne dedicated to the Delphic Oracle by the Phrygian King Midas, mentioned by Herodotus (Histories, Book 1, chapter 14) [3].
     
     

    Gold plaque pendant with a depiction of the Mistress of Animals from Kamiros, Rhodes at My Favourite Planet

    Gold plaque pendant with a depiction of the Mistress of Animals
    in the Daedalic style. From Kamiros, Rhodes, 720-650 BC.

    As in the plaque below, the figure thought by some scholars
    to depict Artemis, wears a long chiton, has sickle-shaped
    wings and holds in each hand a lion by a rear leg or tail. [4]

    Ashmolean Museum, Oxford. Inv. No. AN 1896-1908 G.441.
     

    Electrum plaque with a depiction of the Mistress of Animals, Ashmolean Museum, Oxford at My Favourite Planet

    Electrum plaque with a depiction of the Mistress of Animals.
    From Kamiros, Rhodes, 720-600 BC.

    On either side of the figure is an object, which
    appears to be a flask on a shelf, and a head.

    Ashmolean Museum, Oxford.
    One of a group of objects, Inv. Nos. AN 1896-1908 G.439 - G.442.
     

    The Mistress of Animals depicted on a Cycladic amphora from Rheneia at My Favourite Planet

    Neck of a Cycladic amphora with a depiction
    of the Mistress of Animals holding two lions.

    Made in Paros or Naxos around 700-675 BC. Found in the
    "Purification Pit" on Rheneia (Ρήνεια) island, west of Delos.

    Mykonos Archaeological Museum. Inv. No. IA 401.

    Delos was first "purified" around 543 BC by the Athenian tyrant Peisistratos, who ordered the removal of graves within sight of the sanctuary of Apollo. A second purification was commanded by the Athenian democracy in 426/425 BC. The contents of all graves on the island were removed to the neighbouring island of Rheneia (Ρήνεια), and it was forbidden for anybody to give birth or die on Delos (Thucydides, History of the Peloponnesian War, Book 3, chapter 104).

    The "Purification Pit" was discovered on Rheneia in 1898 during excavations by Dimitrios Stavropoulos, Ephor of Antiquities for the Cyclades. The 20 square metre pit in a 500 square metre paved enclosure is thought to be where the contents of the graves from Delos were deposited. It contained a large number of bones and thousands of funerary offerings, mostly vases, dating from the Geometric period (9th - 8th centuries BC) to the years just before the second purification. The oldest vase discovered was a small 12th century alabastron. The Mykonos Archaeological Museum was built by the Greek Ministry of Education and the Archaeological Society of Athens in 1902 especially to house finds from Rheneia.

    Most of the pottery of the late 8th and 7th century was from Paros and Naxos, reflecting the competition between the two powerful island states for control over sacred Delos. In many cases it is uncertain which of these islands produced particular vases.
     

    The Cycladic amphora from Rheneia with the Mistress of Animals at My Favourite Planet

    The Cycladic amphora from Rheneia.
    On the reconstructed body are two
    horses walking towards each other.
     

    The Mistress of Animals depicted on a large Cycladic krater at My Favourite Planet

    The body of a large Cycladic krater with a painting depicting Apollo (left) returning
    to Delos from the land of the Hyperboreans, greeted by Artemis (right) holding
    a deer by its antlers (see detail below).

    Made in a Parian workshop, circa 640 BC.

    Apollo, holding a kithara, stands in a chariot drawn by four winged horses, with two
    female figures, perhaps Hyperborean maidens (or Artemis and Leto). Artemis holds
    the deer with her right hand, and has an arrow in her left hand. Above the scene is
    a continuous frieze of walking water birds. The neck of the krater shows two heroes,
    perhaps Achilles and Memnon, engaged in Homeric combat (see Homer part 2).

    National Archaeological Museum, Athens. Inv. No. 911.
     

    Artemis holding a deer by its antlers on the body of an Archaic krater at My Favourite Planet

    Artemis holding a deer by its antlers on the body of the Cycladic krater above.
     
    Drawing of Apollo and Artemis on the Cycladic krater in Athens at My Favourite Planet

    Drawing of the painting of Apollo and Artemis on the body of the Cycladic krater above.

    Source: H. L. Lorrimer, Homer and the monuments, Plate XXXI, 2. MacMillan & Co.,
    London, 1950. (The krater is described as a "Melian amphora".)
     

    The Mistress of Animals depicted on a Corinthian oinochoe at My Favourite Planet

    Neck of a Corinthian oinochoe (wine jug) with a depiction of the Mistress of Animals.

    By the Palermo Painter, early 6th century BC. From Tomb 2,
    Galera-Bagliazzo Necropolis, Selinous (Selinunte), Sicily.

    Antonino Salinas Regional Archaeological Museum, Palermo, Sicily.
     

    The Master of Animals on a bronze quiver cover from Mesopotamia or Iran at My Favourite Planet

    A relief of the Master of Animals on a bronze quiver cover
    from Mesopotamia or western Iran.

    Circa 9th - 8th century BC. Height 13.49 cm, width 54 cm.

    Metropolitan Museum of Art, New York. Inv. No. 1989.281.28 (not on display).
    From the Norbert Schimmel Collection (1974, No. 138).
    Gift of the Norbert Schimmel Trust, 1989.

    The reliefs on the quiver cover are similar in design to those on "Luristan bronzes" of around the same period, from the Lorestan Province in the Zagros Mountains of western Iran.

    Five vertically arranged panels with reliefs depicting mythical scenes are separated by horizontal bands. From the top:

    1. a god standing in a winged solar disc, holding a ring in his right hand, flanked by two horned and bearded deities;

    2 and 4. rectangular landscape areas (gardens or pools?) surrounded by plants and mountains;

    3. a winged male holding in each hand a lion by a rear paw (photo above);

    5. a male figure (a hero, king or god) killing a lion with a spear.

    Photo source: Public domain photo at
    metmuseum.org/art/collection/search/327417.

    See also: Jürgen Settgast (Editor), Von Troja bis Amarna: The Norbert Schimmel Collection, New York, Cat. No. 162, "Beschlag eines Köchers". Verlag Philipp von Zabern, Mainz, 1978.
     

    The bronze quiver cover in the Metropolitan Museum at My Favourite Planet

    The bronze quiver cover in
    the Metropolitan Museum.
     

    The Mistress of Animals depicted on a bronze sheet from Olympia, Greece at My Favourite Planet

    An embossed relief of the Mistress of Animals on a bronze sheet
    from the Sanctuary of Olympia, Greece.

    Around 600 BC. Height 88 cm, width 36 cm, depth 4 cm.

    National Archaeological Museum, Athens. Inv. No. 6444.

    The trapezoidal bronze sheet, possibly made in a Samian workshop, is thought to have been a decorative cover for an object in the sanctuary. Like the Iranian/Mesopotamian bronze quiver plaque above, the vertically arranged panels with reliefs of mythical figures are separated by horizontal bands. From the top:

    1. three eagles;

    2. two confronted griffins;

    3. Herakles shooting an arrow at a Centaur at the battle with the Centaurs on Mount Pholoe;

    4. the Mistress of Animals holding in each hand a lion by a rear leg.
     

    The bronze sheet from the Sanctuary of Olympia at My Favourite Planet

    The bronze sheet from
    the Sanctuary of Olympia.
     
    The Mistress of Animals on a Laconian bronze handle attachment at My Favourite Planet   Detail of the Laconian bronze Mistress of Animals in Olympia at My Favourite Planet

    A standing female figure, probably the Mistress of Animals,
    on a fragmentary bronze handle attachment with a lion foot.

    "A typical work of early Laconian (Spartan) bronze sculpture", end of the
    7th century BC. Excavated at the Sanctuary of Zeus, Olympia, Greece.

    Olympia Archaeological Museum.
     

    A plate showing a winged goddess with a Gorgon head at My Favourite Planet

    Ceramic plate showing a winged goddess with the head of a Gorgon,
    wearing a split skirt, and holding in each hand a water bird by its neck.

    Made on Kos about 600 BC. Excavated during the 1950s at Kamiros, western
    Rhodes by Auguste Salzmann (1824-1872) and Sir Alfred Biliotti (1833-1915),
    who sold it to the British Museum in 1860 along with other finds. Height 2.5 cm,
    diameter 32 cm, weight: 1.19 kg.

    The goddess is thought to be the Mistress of Animals, associated with or
    identified as Artemis by some scholars. It is not known why the figure on
    this plate has a Gorgon's head, or to put it another way, why a Gorgon was
    depicted as the Mistress of Animals. See further discussion in Medusa part 3.

    British Museum. Inv. No. GR 1860.4-4.2 (Vase G13/6).
     

    Plate showing a winged female figure standing between two geese, Izmir, Turkey at My Favourite Planet

    Restored fragmented ceramic plate (pinax type) showing
    a winged female figure standing between two geese.

    6th century BC. From Bayrakli, Smyrna (Izmir, Turkey).

    Department of Ceramics, Izmir Museum of History and Art.
     
    Boeotian alabastron with a Mistress of Animals holding water birds at My Favourite Planet   Boeotian alabastron with the upper part of a horse at My Favourite Planet

    Boeotian alabastron (bottle for oil or perfume) with a Mistress of Animals holding
    a water bird in each hand. The other side shows the upper part of a horse.

    Around 550 BC. The name vase of the Horse-bird Group. Said to be from Corinth.

    British Museum. Inv. No. GR 1894.10-31.1.
     

    A relief of a goddess holding a lion from Dorylaeum at My Favourite Planet

    Detail of a marble grave stele with a relief of a winged goddess
    holding a lion by a front paw. Around 525 BC.

    Found in 1893 in Dorylaeum (Δορύλαιον, Dorylaion),
    Phrygia, northwestern Anatolia (today Eskişehir, Turkey).

    Istanbul Archaeological Museum. Inv. No. 680. Cat. Mendel 526.

    The top of the two-sided stele, now broken, was decorated on both sides with reliefs of palmettes, similar to the akroteria (roof decoration) of buildings. One side has the relief of the goddess, while on the other side are badly damaged reliefs in two registers: the upper register depicts a youth in profile riding a horse to the right, accompanied by a walking male figure and a dog; the lower register shows two-horse chariot driven to the right by a male figure (perhaps representing Death).

    The figure of the goddess, walking to right, is almost complete apart from the missing feet. She has sickle-shaped wings which emanate from behind her waist. On her head is a polos decorated with triangular rays. A thick swathe of hair falls in neat rows from the back of her head to behind her shoulders. She wears a peplos over a chiton, fastened by three buttons at her right shoulder. Her right breast and lower right leg are bare. In her right hand she apears to be holding an object, possibly a flower or plant tendril, in her left hand she grasps the left forepaw of a lion which hangs vertically with its head facing downwards.

    The best known Archaic grave markers in the form of tall steles (or stelai) with reliefs were made in Athens and Attica in the 6th and early 5th century BC (see, for example the grave stele of Aristion by Aristokles), after which they ceased to be made there. However, the production of Attic type grave steles continued beyond the Early Classical period (mid 5th century BC) in other places in Greece, for example in northern Greece, where double sided reliefs have been found. Steles from other places in the Greek world often feature very different types of iconography.

    Following this stele's discovery in 1893, several scholars speculated over the identity of the goddess, with theories summarized in 1895 by the German classical philologist Alfred Körte [5]. The relief figures were compared to Attic works and reliefs from the column bases of the Temple of Artemis in Ephesus. The white, crystalline marble was considered to be from an Aegean island, and the sculptor from Ionia (East Greece).

    It was suggested that the stele was made for a Phrygian or Persian client (Phrygia had become part of the Persian Achaemenid Empire during the 540s BC, following Cyrus the Great's conquest of Lydia). The client may have identified the deity as the Persian goddess Anahita ("the Persian Artemis", a theory which Körte refuted) or the Phrygian mother goddesss Kybele. However, according to Körte, in the artist's mind she was Potnia Theron as Artemis.

    It has also been suggested that the deity was believed to be the protector of the dead, in this case presumably the deceased horseman shown on the other side of the stele.

    Height of surviving fragment of the stele 72.5 cm,
    width 37.5 - 39 cm, depth 12 - 13 cm.
    Drawing of the Dorylaeum stele from Gustave Mendel's catalogue at My Favourite Planet

    Drawing of the Dorylaeum stele
    from Gustave Mendel's catalogue
    of sculptures in the Istanbul
    Archaeological Museum [6].
     

    The other side of the Dorylaeum stele at My Favourite Planet

    The other side of the Dorylaeum stele.
     

    Terracotta antefix with Artemis holding two lions at My Favourite Planet

    A terracotta antefix (decorated end of a roof tile) with a
    winged figure of Artemis holding two lions by their front paws.

    Made in Campania (southern Italy) around 500-480 BC.
    From Capua. The figure combines Greek and Etruscan styles.

    British Museum. Inv. No. GR 1877.8-2.13 (Terracotta B 588).
    Donated by Alessandro Castellani.
     

    A terracotta antefix depicting a Maenad between two panthers at My Favourite Planet

    A fragment of a terracotta antefix (end of a roof tile, see Medusa part 4)
    thought to depict a Maenad (see Dionysus) between two "panthers",
    only one of which has survived. The now headless figure grasps a
    forepaw of each of the cats in the manner of the Mistress of Animals.

    4th - 3rd century BC. From a Samnite sanctuary at Pietrabbondante,
    Isernia province, Molise region, south-central Italy. [7]
     

    A relief of the Mistress of Animals on an altar from Rhodes at My Favourite Planet

    A relief of the "Mistress of Animals" on the front small marble altar.
    The figure stands frontally, with long hair, parted in the middle and
    flowing over her shoulders, wearing a polos and a peplos. In each
    hand she holds a forepaw of a lion, shown at smaller scale, which
    hangs vertically with its head facing outwards. The other three
    sides of the the altar are not decorated. On top is a relief of
    a wreath, its centre forming the space for the sacrifice.

    Roman period. From Rhodes.

    Rhodes Archaeological Museum. Inv. No. 13643.
     

    A relief of the child Horus in the pose of the Master of Animals at My Favourite Planet

    A small Egyptian stele with a relief of the head
    of Bes over a standing figure of the god Horus
    as a child in the pose of the Master of Animals.

    National Archaeological Museum, Naples. Egyptian Collection.

    One of several similar surviving depictions of the child Horus (known as Hor-sched), which were set up as protective talismen in private homes, although some have also been found in graves. Above him is the head of the god Bes as the protector of the home and family, particularly the women and children. Horus stands frontally with each foot on a crocodile, holding in each hand two serpents and a scorpion. He also holds with his left hand a lion by the tail, and with the right hand an oryx (gazelle) by the horns. From the Hellenistic period the worship of the young Horus as Harpocrates (Ἁρποκράτης) was developed by the Greeks in Ptolemaic Alexandria.  
     

    Gold plaque showing the Mistress of Animals, from Smyrna at My Favourite Planet

    Small gold plaque showing the Mistress of Animals standing
    between two lions. From Smyrna (Izmir, Turkey), 200-1 BC.

    Ashmolean Museum, Oxford. Inv. No. AN1912.65.
     

    A relief showing the Delphic tripod of Apollo, Ephesus at My Favourite Planet

    A relief in Ephesus depicting Apollo's tripod
    with a plaque showing the Mistress of Animals.

    One of the two matching, almost identical marble pedestals (bases for statues or pillars?) facing each other on either side of the of the bottom of the "Clivus Sacer" (Sacred Way) in Ephesus. This is the pedestal on the north side of the street (on the left as you go up the street, see Ephesus gallery page 12). On the side of the bowl of the tripod, above the central leg, is a plaque with a figure with sickle-shaped wings, holding an animal in each outstretched hand (see larger photo below).

    The small image is badly worn on both pedestals, and it is not possible to tell whether the figure is male of female, or what animals he/she is holding. However, it is sufficiently similar to other depictions of the "Mistress of Animals" to safely assume that it is the same figure as, for example, on the Archaic gold plaques from Rhodes (see photos above). The figure in this case may be Artemis, the patron deity of Ephesus.

    Between the lion-claw feet of the tripod is the omphalos, indicating that it belongs to the Delphic oracle of Apollo, the twin brother of Artemis. The pedestals may have been associated with a nearby sanctuary of the healing god Asklepios, Apollo's son. Alternatively, there may be a connection with the adjacent Prytaneion, or the Upper Agora. On the left (west) side of this pedestal is a relief of Hermes leading a male goat, and on the right side of the other pedestal Hermes walks with a ram.

    The pedestals have been dated to somewhere between the 1st and 4th centuries AD (according to one source circa 3rd century AD), which is rather vague, and little seems to have been published about them. On one hand it is wonderful to see them on the street of Ephesus, but strange that they have been left here and not sheltered in the museum.
     
     

    A relief of the Mistress of Animals in Ephesus at My Favourite Planet

    Detail of the relief on the pedestal on the north side of the street
    in Ephesus, with the plaque showing the Mistress of Animals.
     

    The Beautiful Artemis Ephesia statue, Ephesus Archaeological Museum, Selçuk, Turkey at My Favourite Planet

    Statue of the goddess Artemis, known as the "Beautiful Artemis Ephesia".

    Roman Imperial period, 125-175 AD. Discovered in 1956 in the Prytaneion
    (town hall) of Ephesus. Thought to be a copy of a much more ancient cult
    statue, perhaps of cedar wood, which stood in the Great Temple of Artemis
    at Ephesus. Height 174.5 cm.

    The goddess stands stiffly between two deer, her favoured animals,
    and the figure is covered with reliefs, many of animals, including lions,
    panthers, winged bulls, griffins, deer and bees.

    Ephesus Archaeological Museum, Selçuk, Turkey. Inv. No. 718.
     

    A rough relief of Artemis Ephesia, Ephesus at My Favourite Planet

    A rough relief of Artemis Ephesia, appearing more like graffiti, on the side
    of a pilaster near the entrance to the Varius Baths, Ephesus. Roman period?.
     
    A limestone statuette of the god Herakles-Melqart from Cyprus at My Favourite Planet   A statuette of Herakles-Melqart from Cyprus at My Favourite Planet

    Two limestone statuettes of the god Herakles-Melqart
    holding lions in the manner of the Master of Beasts. From Cyprus.

    Left: This statuette has been dated to the Archaic period, 600-475 BC. The figure has
    a beard but no moustache, wears a lionskin over the back of his head and a short,
    girdled tunic with a pleated killt. In his clenched left hand he holds two lions by their
    tails. the right arm is now missing. Provenance unknown.

    Bank of Cyprus Cultural Foundation.

    Right: the beardless figure is about half the size of the other statuette and less
    detailed. Classical period, around 450-350 BC. He wears a lionskin on his head and a
    knee-length, girdled tunic with half-length sleeves. In his clenched left hand he holds
    a lion by its tail, and in his raised right hand he holds a club. Provenance unknown.

    Cyprus Archaeological Museum, Nicosia.

    Statuettes exhibited in the exhibition Cyprus - Eiland in beweging (Cyprus - a dynamic island), Rijksmuseum van Oudheden, Leiden, 11 October 2019 - 15 March 2020.
     
    Mistress
    of Animals
    Notes, references and links Sean-Paul-A-New-Age-2008.rar.rar
     

    1. Asian antecedents of Master/Mistress of Animals type images

    A Hittite rock-face relief known as the "Schwertgott" (Sword-God) in Yazilikay, central Anatolia, dated 1250-1220 BC, shows a male figure standing frontally with his head in profile facing left, holding in each hand a lion by one of its rear paws. The relief is still in situ; there is a plaster cast in the Staatliche Museen, Berlin.

    See:

    Ekrem Akurgal and Max Hirmer, Die Kunst der Hethiter, plates 82 and 83. Hirmer Verlag, Munich, 1976 (Sonderausgabe).
     

    2. The eddies of Lethaios

    The Lethaios river (Ληθαῖος), one of three rivers of that name, has its sources in Mount Pactyes in Caria, and runs south to become a tributary of the Maeander just southeast of Magnesia on the Maeander.
     

    3. Delphi statuette from the throne of Midas?

    The claim was made by Keith DeVries, a professor and curator at the University of Pennsylvania Museum, on 5th January 2002, at the 103rd Annual Meeting of the Archaeological Institute of America in Philadelphia, subsquently reported in the popular press and debated in academic articles.

    See: Oscar White Muscarella, An Ivory Statuette from Delphi - Not from King Midas’s Throne. Source: Notes in History of Art, Volume 35, No. 1/2 (Fall 2015/Winter 2016), pages 182-193. At the University of Chicago Press Journals.
     
     

    4. Precious metal goddess plaques

    A similar small metal plaque from a late 7th century BC grave near Kamiros, Rhodes has a repoussé relief of a frontally standing winged female holding in each hand what appears to be a large plant (the plants are described by the museum labelling as "rosettes") rather than a lion, and with a sun symbol with eight rays either side of her legs (see photo right).
     


    A silver plaque with a relief of a winged goddess holding rosettes at My Favourite Planet

    A silver plaque with a repoussé relief of
    a "winged goddess holding rosettes".

    From a pithos burial of an infant,
    Kechraki T 210 (16). 625-600 BC.
    Found during excavations in the
    Archaic cemetery at Kechraki,
    near the ancient city of Kamiros,
    western Rhodes.

    Rhodes Archaeological Museum.
     
     

    5. Alfred Körte on the Dorylaeum relief

    Alfred Koerte (1866-1946), Kleinasiatische Studien I: Eine archaische Stele aus Dorylaion, in Mitteilungen des Deutschen Archaeologischen Instituts, Athenische Abteilung, Band XX, 1895, pages 1-13, plates I and II. Verlag von Karl Wilberg, Athens, 1895.
     

    6. The Dorylaeum relief in Mendel's catalogue

    Gustave Mendel, Catalogue des sculptures Grecques Romaines et Byzantines, Tome Second, No. 526, pages 230-234. Musées Impériaux Ottoman, Constantinople, 1914.
     


    Drawing of the other side of the Dorylaeum stele at My Favourite Planet

    Drawing of the other side
    of the Dorylaeum stele
    in Mendel's catalogue.
     

    7. Maenad antefix from Pietrabbondante

    The Samnites were an ancient Italic people who lived in Samnium in south-central Italy. Although often at war with the Greeks in Magna Gracia (southern Italy), they adopted several aspects of Greek culture, including the cult of Dionysus, and imported Greek goods such as Apulian ceramics.

    Pietrabbondante is thought by some historians to be the location of ancient Bovianum, the meeting place of the assemblies of the confederation of the four Samnite tribes, the Caraceni, Caudini, Hirpini and Pentri. The site of the sanctuary there, first excavated in the 1840s, includes a theatre and a temple.

    The antefix was exhibited as part of the temporary exhibition The gift of Dionysos in the Thessaloniki Archaeological Museum, 13 July 2011 - 30 September 2012. So far I have been unable to discover further details of the exhibits on loan from the Molise region of south-central Italy.

    See further details on the Dionysus page.
     
     
    Photos on this page were taken during
    visits to the following museums:

    Greece
    Athens, Agora Museum
    Athens, National Archaeological Museum
    Delos Archaeological Museum
    Delphi Archaeological Museum
    Eretria Archaeological Museum
    Mykonos Archaeological Museum
    Olympia Archaeological Museum
    Rhodes Archaeological Museum
    Thebes Archaeological Museum
    Thessaloniki Archaeological Museum

    Italy
    Naples, National Archaeological Museum

    Italy - Sicily
    Palermo, Antonino Salinas Regional Archaeological Museum
    Syracuse, Paolo Orsi Archaeological Museum

    Netherlands
    Leiden, Rijksmuseum van Oudheden

    Turkey
    Ephesus archaeological site
    Istanbul Archaeological Museum
    Izmir Museum of History and Art
    Selçuk, Ephesus Archaeological Museum

    United Kingdom
    London, British Museum
    Oxford, Ashmolean Museum

    Many thanks to the staff of these museums.
    Photos and articles © David John, except where otherwise specified.
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