The 2023–2024 revival of Queer as Folk (henceforth QAF-new) aims to recontextualize a landmark queer text for a changed cultural moment. Whether it is “better” depends on the criteria used: fidelity to the original, cultural relevance, representational breadth, narrative ambition, and artistic execution. This essay evaluates QAF-new along those dimensions and argues that while the revival succeeds in updating and expanding representation, it is not unambiguously superior to the original; rather, it functions as a complementary project that reflects contemporary queer politics, media economics, and audience expectations.

The original Queer as Folk famously shied away from the AIDS crisis in its first few seasons, treating the specter of death as a background hum rather than a siren. When it did address trauma, it was often melodramatic.

The 2022 reboot does something braver: it opens with a mass shooting at a gay club (inspired by the Pulse nightclub tragedy). This isn't exploitative; it's the catalyst. The show is about survival, PTSD, and the exhausting work of finding joy after violence. It feels painfully relevant. It argues that being queer today isn't just about sex and dancing—it's about navigating a world that sometimes wants you erased.

Is the new Queer as Folk perfect? No. The pacing is frantic, and sometimes it tries to tackle too many issues at once. But the original was also flawed—it just had the benefit of being first.

The 2022 reboot is better because it is braver. It doesn't just show queer people having sex in backrooms; it shows queer people healing, fighting, failing, and loving in a post-Pulse, post-pandemic world. It is the update the franchise desperately needed. If you think the original is better, you might be looking through rose-colored glasses. Watch the new one with an open heart—you’ll see how far we’ve actually come.

Claim: The 2022 Queer as Folk reboot surpasses its predecessors.

Verdict: It depends on what you value — but for modern audiences, the new series offers a more inclusive, diverse, and emotionally nuanced take, even if it lacks the groundbreaking shock value of the original.

Perhaps the boldest—and most controversial—decision was setting the pilot in the aftermath of a shooting at a queer nightclub, inspired by the Pulse massacre in Orlando.

While the original series thrived on the hedonism of club culture (Babylon), the reboot acknowledges that the sanctuary of the club has been shattered for the modern generation.

The landscape of television has changed drastically since Queer as Folk first burst onto screens in 1999 (UK) and 2000 (US). For a long time, those shows were the only lifeboats for LGBTQ+ viewers—messy, unapologetic, and vital. But recent attempts to revive the franchise have stumbled, often feeling like nostalgia trips rather than living, breathing entities.

If we are to get a new series, it shouldn't just be a rehash of Brian Kinney’s loft or Stuart Jones’ swagger. To be "better," a new Queer as Folk needs to stop looking in the rearview mirror and start looking at the chaotic, beautiful reality of queer life right now.

Here is how a new series could be better than what came before:

1. Expand the "Gay Ghettos" The original series was obsessed with a specific geography: the club, the gym, and the loft. It was a world of white, cisgender, able-bodied gay men. A "better" series must acknowledge that the modern queer community is a tapestry. We need a series that centers trans narratives not as afterthoughts, but as driving forces. We need to see the intersection of race, class, and disability within the community. The "family" can no longer just be a circle of friends who look exactly the same; it has to reflect the messy, intersectional reality of 2024.

2. Kill the "Saviors and Martyrs" Complex The original US series, in particular, had a habit of punishing its characters for being sexual beings, or conversely, treating the most promiscuous character as a sort of Messiah figure. A new series needs to move beyond the binary of "good queers who want marriage" vs. "bad queers who want sex." Modern queer life integrates these things. We need a show that treats ethical non-monogamy, fluidity, and asexuality with the same narrative weight as the traditional "will they/won't they" romance.

3. Address the Generational Divide One of the most fascinating conflicts in the modern community is the disconnect between the generation that fought through the AIDS crisis and the generation raised on Grindr and RuPaul. A better series would explore this tension not as a joke, but as a central conflict. How does a 50-year-old queer icon relate to a 19-year-old who has never known a world without PrEP? There is a wealth of storytelling in that gap that has been largely ignored.

4. Ditch the Glossy Aesthetic for Grit The 2022 Peacock reboot made the mistake of looking a little too much like every other glossy streaming teen drama. The original Queer as Folk was revolutionary because it felt dangerous. A new series needs to recapture that danger. It shouldn't look like an Instagram filter; it should look like the inside of a dive bar at 2 AM. It needs to be raw, uncomfortable, and sometimes ugly. The "better" version of this show isn't about aspirational lifestyle porn; it's about the struggle to find connection in a fragmented world.

5. Focus on Chosen Family in the Post-Pandemic World The core thesis of Queer as Folk has always been "chosen family." But in a world where physical "third spaces" are disappearing and community is increasingly moved online, the struggle to find that family is harder than ever. A new series needs to explore how we build community when we don't have the club as our church anymore.

The Verdict We don't need another Queer as Folk just to see beautiful people dance in slow motion. We need it because queer storytelling is currently trapped in a binary of "trauma porn" or "sanitized happiness." A better series would live in the middle: a show that is funny, sexy, and resilient, proving that while the specific battles may change, the fight to be seen—and to find your people—remains the most important story of all.

Why the New Queer as Folk Series Is Better Than the Original

The 2022 reimagining of Queer as Folk on Peacock takes the foundational "punk spirit" of Russell T Davies' original 1999 UK series and the soapy addiction of the 2000 US remake, then updates them for a more complex, modern era. While it only lasted one season before being canceled, many critics and viewers argue this version is actually better because it finally delivers the radical inclusivity and authentic storytelling that its predecessors only hinted at. 1. A Broadened Palette of Representation

The most immediate way the Peacock series improves upon the originals is through its cast and characters.

True Diversity: While the older shows primarily centered on white, cisgender gay men, the 2022 series features characters who are Black, trans, non-binary, fat, and disabled.

Authentic Casting: The production prioritized hiring queer actors and creatives for queer roles, including stars like Jesse James Keitel and Ryan O'Connell, which added a layer of lived-in authenticity to the performances.

Invisible Identities Made Visible: Characters like Shar (who uses they/them pronouns) and Ruthie (who is openly trans) exist in a world where their identities aren't constantly questioned or treated as "teachable moments" for a straight audience. 2. Fearless Storytelling with Real Stakes

The new series moves the setting to New Orleans, using the city’s vibrant, gritty backdrop to explore deeper trauma and resilience.

The Revival of a Classic: Why the New Series of Queer as Folk is Better than Ever

In 1999, the British television series Queer as Folk burst onto the scene, revolutionizing the representation of LGBTQ+ individuals on television. Created by Russell T Davies, the show followed the lives of a group of gay men in Pittsburgh, navigating love, friendship, and identity in a predominantly straight world. The show was groundbreaking, raw, and unapologetic, and it quickly gained a loyal following.

Fast-forward to 2019, and the BBC One and Showtime announced a revival of the series, with Davies returning as writer and executive producer. The new series of Queer as Folk premiered in the UK in October 2019 and in the US in June 2020. The show's return has been met with widespread critical acclaim, with many praising its bold storytelling, complex characters, and improved production values.

But what makes the new series of Queer as Folk better than its predecessor? In this article, we'll explore the ways in which the show has evolved, improved, and remained relevant in the context of contemporary LGBTQ+ issues.

More Diverse and Complex Characters

One of the most significant improvements in the new series is the expansion of the cast to include more diverse and complex characters. While the original series focused primarily on the lives of white, middle-class gay men, the revival introduces a more intersectional cast, including characters of color, people with disabilities, and individuals from different socioeconomic backgrounds.

The new series also delves deeper into the complexities of its characters, exploring themes such as mental health, trauma, and intersectionality. For example, the character of Noah, played by Murray Bartlett, is a queer man of color who struggles with addiction and grief. His storyline is a powerful exploration of the ways in which systemic racism and homophobia intersect to affect the lives of LGBTQ+ individuals.

Improved Representation and Authenticity

The new series of Queer as Folk has been praised for its authentic representation of LGBTQ+ individuals and experiences. Davies has stated that he aimed to create a show that reflects the diversity and complexity of contemporary queer life, and it's clear that he's succeeded.

The show features a range of LGBTQ+ characters, including lesbian, gay, bisexual, and trans individuals, each with their own unique stories and experiences. The show also tackles a range of issues relevant to the LGBTQ+ community, including police brutality, conversion therapy, and the AIDS crisis.

Moreover, the show has been praised for its commitment to authenticity, with many of the cast members being LGBTQ+ themselves. This level of authenticity brings a depth and nuance to the storytelling that's hard to fake.

Bold Storytelling and Themes

The new series of Queer as Folk is not afraid to tackle tough themes and tell bold stories. The show's exploration of police brutality, systemic racism, and homophobia is both timely and thought-provoking.

One of the standout episodes is "The Times They Are a-Changin'," which explores the Black Lives Matter movement and the ways in which it intersects with the LGBTQ+ community. The episode features a powerful performance from actress and activist, Angela Davis, and it's a testament to the show's commitment to telling stories that need to be told.

Production Values and Cinematography

The new series of Queer as Folk boasts improved production values and cinematography. The show's use of vibrant colors, sweeping cinematography, and a pulsating soundtrack brings the city of Pittsburgh to life in a way that's both authentic and visually stunning.

The show's aesthetic is a nod to the original series, which was known for its bold and playful use of color. However, the new series takes this aesthetic to new heights, incorporating a range of visual effects, camera techniques, and editing styles to create a truly immersive viewing experience.

A Show for the Times

The new series of Queer as Folk is a show for the times. It's a show that acknowledges the progress that's been made in terms of LGBTQ+ rights, but also recognizes the work that still needs to be done.

In an era where LGBTQ+ individuals are facing increasing marginalization and oppression, Queer as Folk is a powerful reminder of the importance of resistance, activism, and community. The show's message of hope, resilience, and solidarity is both timely and urgent, and it's a testament to the enduring power of queer storytelling.

Conclusion

The new series of Queer as Folk is a triumph. It's a show that's both a nostalgic nod to the original series and a bold new take on contemporary queer life. With its diverse and complex characters, improved representation and authenticity, bold storytelling, and stunning production values, Queer as Folk is a must-watch for anyone interested in LGBTQ+ issues.

The show's revival is a testament to the enduring power of queer storytelling and the importance of representation on television. It's a show that will resonate with audiences around the world, and it's a reminder that, even in the darkest of times, there is always hope, always love, and always a community to come together and fight for what's right.

In short, the new series of Queer as Folk is better than ever, and it's a show that will leave you feeling seen, heard, and empowered. So, if you haven't already, join the party and experience the magic of Queer as Folk for yourself.

This essay analyzes how the 2022 Peacock reimagining of Queer as Folk

improves upon its predecessors by embracing intersectional representation and addressing modern community trauma, while noting the creative trade-offs that led to its single-season run. From Homogeneity to Intersectional Inclusion

The most significant leap the new series takes is in its cast and character dynamics. While the original

versions were revolutionary for their time, they primarily centered on a homogenous group of white, cisgender gay men. Diverse Perspectives

: The 2022 series shifts focus to a "big and broad ensemble" that includes trans people, people of color, and disabled queer characters. Authentic Representation : Characters like

, a disabled man in a wheelchair who is "horny as hell," and Ruthie and Shar

, a couple navigating queer parenthood, provide a more accurate reflection of today’s community. Creative Choice : Unlike the original, this version explicitly avoids cameos

from previous series, allowing it to stand on its own as a "genuine reimagining" rather than a nostalgic clone. Addressing Contemporary Queer Reality

The new series trades the "electric joy and messy reality" of the original’s nightlife-focused plots for more sobering, topical storytelling

The 2022 Queer as Folk reboot on Peacock (available on Netflix in some regions) aimed to modernize the iconic 1999 UK and 2000 US series by drastically expanding its representation. While it was canceled after one season [31], many viewers and critics argue it improved upon the original's legacy by being more inclusive and emotionally resonant [13, 27]. Why the New Series is Considered "Better"

True Inclusivity: Unlike the previous versions which primarily focused on cisgender white gay men, the new series features a diverse cast including transgender, nonbinary, and disabled characters [13, 21].

Authentic Casting: The production prioritized casting queer actors in queer roles, bringing a layer of authenticity that older versions sometimes lacked [13, 21].

Modern Storytelling: It addresses contemporary queer issues like digital culture, gender fluidity, and privilege within LGBTQ+ spaces [6, 24].

Handling Trauma and Joy: The series centers on a community rebuilding after a tragedy (inspired by the Pulse nightclub shooting), but balances this "trauma plot" with moments of defiant queer joy [9, 23, 28].

Star Power: Veterans like Kim Cattrall and Juliette Lewis provide strong supporting performances that anchor the younger, diverse cast [2, 13, 27]. Comparing the Different Eras Original UK/US (1999-2005) Peacock Reboot (2022) Diversity Mostly cisgender white gay men [19, 20]

Broad spectrum of POC, trans, and disabled identities [13, 21] Themes Coming out, HIV/AIDS, marriage equality [19, 27]

Post-tragedy recovery, intersectionality, modern queer life [6, 10] Tone Groundbreaking but often "sanitized" for its time [27] "Bolder, prouder," and more gritty [4, 7]

While the reboot was criticized by some long-time fans for its "unlikable" characters or "angry" tone [25, 26], it is often praised for being a more accurate reflection of what queer society looks like today [4, 6].

reimagining of Queer as Folk is often cited as "better" or more relevant than its predecessors primarily due to its radical shift toward intersectional representation and its willingness to address modern LGBTQ+ trauma and resilience

. While the original UK (1999) and US (2000) versions were groundbreaking for their time, they were criticized in retrospect for being predominantly white, cisgender, and able-bodied. Key Ways the 2022 Series Evolves the Franchise Expanded Inclusivity

: The new series centers voices that were largely absent or sidelined in the original, including trans, non-binary, Black, and disabled characters. For instance, it features Ryan O'Connell (who has cerebral palsy) and Eric Graise

(a bilateral amputee) as characters with complex, active sexual lives, a rarity in mainstream media. A Modern Narrative of Survival New Orleans

, the series begins with a tragedy—a mass shooting at a queer nightclub called Babylon—heavily inspired by the real-world Pulse shooting Stephen Dunn worked with Pulse survivors to ensure the story focused on rebuilding and "queer joy" rather than just the violence itself. Addressing "Silos" within the Community

: Unlike the homogenous friend groups of the earlier shows, the 2022 version explores intra-community friction

, such as micro-aggressions, the policing of gender, and the "silos" created by race and disability. Critique of Past Tropes : While the reboot does repeat the controversial age-gap romance

trope from the original (between Brodie and the teenage Mingus), critics have noted that it feels more cringey and unnecessary in a modern context where shows like Heartstopper

demonstrate more age-appropriate queer coming-of-age stories. Critical Comparison: New vs. Old

'Queer As Folk' gets a stiletto-heeled reboot that takes ... - NPR


The 2022 reboot of Queer as Folk was widely considered a "better" or at least more evolved series than its predecessors because it moved beyond the narrow focus on cisgender white gay men

. While the original 1999 UK version and the 2000 US version were groundbreaking for their time, the new series was praised for its radical inclusivity and modern storytelling.

Here is a breakdown of why many critics and viewers found the new series to be a superior representation of the LGBTQ+ community: 1. Radical Inclusivity

Unlike the previous versions, which centered almost exclusively on able-bodied white gay men, the reboot featured a cast that truly mirrored the diversity of the queer community. Trans and Non-Binary Representation

: The series featured multiple trans and non-binary characters played by trans and non-binary actors, such as Fin Argus and Jesse James Keitel. Disability Visibility

: One of the lead characters, Ruthie, is a trans woman, and her brother Mingus is a drag performer. The show also prominently featured characters with disabilities, moving away from the "perfect body" archetype common in earlier queer media. 2. Modern Trauma and Resilience

The new series began with a high-stakes, tragic event—a shooting at a queer nightclub—which grounded the show in the modern realities of hate crimes and community trauma. Healing over Tragedy

: While the inciting incident was dark, the season focused on how the community heals and finds joy in the aftermath, rather than just wallowing in the tragedy. Community Bonds

: It emphasized "chosen family" in a way that felt more urgent and political than the soap-opera-style drama of the original US series. 3. Updated Sexual Politics

The 2022 version dismantled many of the tropes that had aged poorly in the originals. Beyond the "Coming Out" Story

: The characters were already out and established in their identities, allowing the show to focus on their careers, complex relationships, and personal growth instead of the singular "struggle" of being gay. Sex Positivity

: It maintained the franchise's signature frankness about sex but updated it to include a wider range of bodies, gender expressions, and sexual practices. 4. Why it was Cancelled

Despite its critical acclaim for representation, the series was cancelled after only one season in September 2022. Low Ratings : According to

, the show suffered from low viewership numbers, which creator Stephen Dunn confirmed was the primary reason Peacock chose not to renew it. Streaming Saturation : In a crowded landscape of queer content (like Heartstopper

), it struggled to capture the same massive, singular audience that the 2000 version did when it was one of the few options available. similar shows

that offer the same level of diverse representation, or are you looking for fan discussions

comparing the specific characters across the different eras?

The new series of Queer as Folk! The original series, which aired from 1999 to 2005, was a groundbreaking and beloved show that explored the lives of a group of young LGBTQ+ individuals in Pittsburgh. The new series, which premiered on BBC One in 2022, is a reimagining of the original, with a new cast and a modern take on the themes and issues that made the show so iconic.

Here are some thoughts on the new series:

Pros:

Cons:

Overall:

The new series of Queer as Folk is a welcome addition to the LGBTQ+ television landscape. While it may not be a direct continuation of the original series, it offers a fresh take on the themes and issues that made the show so beloved. With its diverse cast, contemporary themes, and improved representation, it's a must-watch for fans of the original series and new viewers alike.

What do you think? Have you watched the new series of Queer as Folk? What are your thoughts on the show?

Why the New 'Queer as Folk' Series Is Better Than the Original

When the Peacock streaming network announced a reimagined version of the seminal LGBTQ+ drama Queer as Folk, it faced an immediate wall of skepticism. The franchise carried a monumental legacy. Russell T Davies created the groundbreaking 1999 British original, and Showtime followed with a massive, culture-defining five-season American adaptation in 2000.

For many, those shows were sacred. However, viewing them through a modern lens reveals a glaring issue: they were almost exclusively focused on a very narrow slice of the community—predominantly white, cisgender, able-bodied gay men.

Here’s a solid, concise piece covering why the new Queer as Folk series (2022, Peacock) is better than the original UK or US versions — depending on what you value in queer storytelling.


Brian Kinney was iconic—the predatory, emotionally unavailable stud who had sex like he was punching a clock. But let’s be honest: that character was a toxic fantasy.

The new characters are messier in a realistic way. Brodie isn't just a slut; he's a man using sex to mask his trauma from the shooting. Noah isn't just a twink; he's a trans man navigating the minefield of Grindr chasers. The show allows its characters to be vulnerable, kind, and confused. They don't have to be "strong" all the time. That is a massive improvement over the stoic machismo of the early 2000s.