Magic, Identity, and Resistance: A Critical Look at María Lara’s Pasaporte de bruja
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Lara’s text belongs to a growing body of 21st-century feminist literature that reclaims the witch archetype (e.g., Silvia Federici’s Caliban and the Witch, Mona Chollet’s In Defense of Witches). Unlike purely historical studies, Pasaporte de bruja uses intimate, lyrical prose to imagine what a “passport” for a witch might entail—a metaphorical document granting freedom, mobility, and self-definition outside societal norms. Magic, Identity, and Resistance: A Critical Look at
The text is fragmentary, weaving spells, recipes, diary entries, and historical footnotes. This hybrid form resists academic categorization, mirroring the witch’s own refusal to be neatly defined. Lara uses second-person address (“you”) to implicate the reader in the act of magical thinking and self-liberation.