One of the film’s most compelling elements is the character arc of Arnab (Parambrata Chattopadhyay). In a standard horror film, he would be the warrior who slays the beast. In Pari, he is the nurturer who unintentionally creates the conditions for the tragedy.
Arnab represents the "good man." He is gentle, caring, and morally upright. Yet, his kindness is the mechanism that allows the horror to propagate. By trying to save Rukhsana, he exposes himself and his loved ones to an ancient evil. This flips the script on the typical horror trope. Usually, the horror enters the house because of a transgression—a sin, a greed, or a curiosity. In Pari, the horror enters because of an act of charity. It suggests a terrifying universe where kindness is a liability, and the innocence of the "good man" is merely a lack of awareness.
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The brilliance of Pari lies in its title. In pop culture, the "Pari" or fairy is a benevolent, winged creature of light, often signifying a savior or a romantic ideal. The film immediately deconstructs this. Rukhsana (Anushka Sharma) is introduced as a feral, wounded animal, chained and terrified in a hut. She is not the fairy of lore; she is the thing that folklore warns you about.
The film draws heavily from the mythology of the Ifrit and the Djinn, weaving a narrative where the supernatural is not a ghost seeking revenge, but a biological and demonic inheritance. The horror here is visceral—it is located in the flesh. The bruises on Rukhsana’s skin, the contorted movements of her limbs, and the eventual physical transformation are body horror at its finest. The film forces the audience to look at the "monstrous feminine" not as a villain to be defeated, but as a victim of a demonic patriarchy. One of the film’s most compelling elements is
The climax of Pari is perhaps its most definitive statement on the horror genre. In most Indian horror films, the "good" triumphs via a religious symbol—a Hanuman Chalisa, a crucifix, or a temple priest. In Pari, religion is a tool of the antagonist. The "holy" men are the ones perpetuating the abuse.
When the final confrontation arrives, it is not a battle of gods, but a tragic human choice. The resolution is bleak, offering no easy catharsis. It leaves the viewer with the image of a child—innocent in appearance, monstrous in origin. It is a chilling reminder that evil does not always arrive with a scream; sometimes, it is born in silence.
Anushka Sharma delivers a performance that is nothing short of a masterclass in physical acting. It is easy to play a monster; it is incredibly difficult to play a monster that evokes maternal sympathy. The brilliance of Pari lies in its title
For the first half of the film, Rukhsana has no language. She communicates through grunts, wide-eyed terror, and violence. Sharma strips away the glamour of the Bollywood heroine entirely. There is a scene where she watches a cartoon of a fairy on television, mesmerized, trying to mimic the drawing of wings. It is a heartbreaking juxtaposition—she is a creature of darkness yearning for the light she has been named after. This duality anchors the film. We are terrified of what she might do, but we are heartbroken by what has been done to her.
Pari (2018) is a Hindi supernatural horror film directed by Prosit Roy and produced by Anushka Sharma under her Clean Slate Films banner. The film stars Anushka Sharma, Parambrata Chatterjee, and Ritabhari Chakraborty.
The story follows Rukhsar, a mysterious and disturbed woman found chained in a house, whom a kind-hearted man tries to help. As he digs deeper, he uncovers terrifying secrets related to an ancient evil entity known as "Pari" (a demonic spirit). Unlike mainstream horror, Pari blends folklore, psychological dread, and tragic backstory. The film received mixed reviews but was praised for Anushka Sharma’s intense performance and its atmospheric visuals.