Cinematographer Robert Elswit captures Los Angeles at night not as a glamorous city of stars, but as a sprawling network of concrete, streetlights, and shadows. The film draws heavy inspiration from the noir genre, using the darkness to hide secrets and the harsh camera lights to expose brutal truths.

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If you haven’t seen it, here is why you need Nightcrawler in your library.

Lou Bloom (Jake Gyllenhaal) is a driven, hungry thief who stumbles into the world of "nightcrawling"—freelance videography capturing accidents, fires, and murders to sell to local news stations. He hires a desperate assistant, Rick (Riz Ahmed), and forms a toxic symbiotic relationship with a news director, Nina Romina (Rene Russo).

The film is a dark satire of capitalism. Lou isn’t a psychopath because he enjoys killing; he is a psychopath because he treats everything—including human suffering—as a business transaction. His mantra? “If you want to win the lottery, you have to make the money to buy a ticket.”

The climax, involving a home invasion triple murder, remains one of the most uncomfortable and brilliant sequences of the 2010s.