Swish brings the digital chaos. Think bit-crushed melodies, sudden tape stops, and hi-hats that sound like they are frying an electrical circuit. His drums are bouncy but erratic.
| Do | Don’t | |----|-------| | Use glitch effects (Gross Beat, ShaperBox, or HalfTime) | Add too many melody layers | | Keep bass simple and grooving | Overcomplicate drum patterns | | Automate filter cutoff frequently | Forget to leave space for vocals | | Add ad-lib style FX (echo, “yeah,” “what”) | Make the beat too clean — needs rawness |
Che floats. To capture a Che-type vibe, you need bounce and minimalism. natecxo x swish x che x slump6s type beat
Che’s production leans into the "Rage" subgenre—heavily influenced by Playboi Carti’s Whole Lotta Red era. Expect distorted 808s that knock your speakers out of phase and synth stabs that sound like laser beams.
Let’s assume you are working at 150 BPM (the sweet spot that allows for double-time flows and half-time feels). Key signature: D minor or C# minor (dark but resonant for 808s). Swish brings the digital chaos
Key tracks to study:
Overall vibe:
| Type | Recommendations | |-----------------|-------------------------------------------------| | DAW | FL Studio (most common), Ableton, Logic | | Drum samples | Lunch77’s “Jersey Club” or “Pluggnb” drum kits | | 808s | Spinz 808, Zay 808 (with glide) | | Melody plugins | Xpand!2, ElectraX, Serum (sine bell preset) | | FX | RC-20, HalfTime, ValhallaRoom, OTT | | Vocal chops | Splice (search “pitched up rnb chop”) |
Before you open your DAW (Digital Audio Workstation), you must understand what each artist brings to the collaboration. This isn't a "usual" trap beat; it is a hybrid monster. Che floats