The film follows Remo Manfredini (played by Nahuel Pérez Biscayart), a legendary but self-destructive jockey who disappears right before the most important race of his career. As the criminal underworld, corrupt horse owners, and his own family hunt for him, Remo navigates the slums of Buenos Aires disguised and paranoid. The film blends neo-noir, black comedy, and sports thriller elements.
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Title: Kill the Jockey Year: 2024 Source: DSNP WEB-DL (Disney+) Audio: DD+ 5.1 Resolution: 1080p
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Kill the Jockey (El Jockey) , directed by Luis Ortega, is a surrealist exploration of identity, rebirth, and the fluid nature of the self. Released in 2024, the film follows Remo Manfredini, a legendary but self-destructive jockey whose life and career are under the thumb of a powerful mobster named Sirena. While the film utilizes the high-stakes world of horse racing as its backdrop, Ortega quickly pivots away from sports drama tropes, opting instead for a dreamlike, transgressive journey that defies traditional narrative logic.
The film’s central theme is the rejection of a fixed identity. Remo begins the story as a man defined by his talent and his vices—an elite athlete who has become a "legend" but is physically and mentally disintegrating. Following a catastrophic racing accident, Remo’s journey doesn't lead to a typical "comeback." Instead, he undergoes a series of literal and metaphorical transformations. Ortega uses Remo’s wandering through Buenos Aires to illustrate a soul in flux; as Remo sheds his jockey silks and adopts new personas, the film suggests that identity is not an inherent trait but a performance that can be abandoned or rewritten.
Ortega’s directorial style is characterized by a "deadpan surrealism." The film is visually striking, using bold colors and symmetrical compositions that contrast with the grimy, often absurd reality of the characters' lives. The performance of Nahuel Pérez Biscayart is pivotal; his expressive, wide-eyed gaze allows the audience to anchor themselves in a story that frequently shifts between the real and the hallucinatory. The supporting cast, including Ursula Corberó as a fellow jockey and Daniel Giménez Cacho as the eccentric Sirena, adds layers of dark humor and emotional weight to the increasingly bizarre proceedings.
Furthermore, Kill the Jockey functions as a critique of the pressures of fame and the commodification of the body. Sirena views Remo not as a person, but as an asset—a "winning horse" in human form. By drifting into a state of aimless, gender-fluid anonymity, Remo reclaims his body from those who seek to profit from it. The film’s ending does not offer a neat resolution but rather a poetic affirmation of change, suggesting that true freedom lies in the ability to become someone else entirely. The film follows Remo Manfredini (played by Nahuel
Ultimately, Kill the Jockey is a bold, unapologetic piece of Latin American cinema. It marries the aesthetics of a noir thriller with the soul of a philosophical poem. Luis Ortega has crafted a film that is as confusing as it is captivating, challenging the viewer to stop looking for a linear plot and instead experience the visceral, transformative power of the protagonist’s liberation.
The 2024 film Kill the Jockey ), directed by Luis Ortega, is a surrealist neo-noir that explores the volatility and malleability of human identity. Premiering at the 81st Venice International Film Festival
, the film follows Remo Manfredini, a once-legendary jockey whose career and personal life are spiraling due to substance abuse and a volatile relationship with his pregnant girlfriend, Abril. Plot Summary
The narrative centers on Remo (Nahuel Pérez Biscayart), who is heavily in debt to a mobster named Sirena. During a high-stakes race involving an expensive Japanese horse, Remo suffers a life-altering accident that leaves him with a severe concussion. After wandering away from the hospital in a daze, he sheds his former self and assumes a new identity, "Dolores," wandering the streets of Buenos Aires in a mink coat and finding a peculiar sense of freedom. Key Themes and Stylistic Elements Fluidity of Identity A complete example: Kill
: The film acts as a "metaphoric meditation" on identity, gender fluidity, and the idea of being "reborn". Ortega suggests that to be truly free, one must "kill" the characters they have built for themselves. Surrealism and Tone
: Combining deadpan humor with dreamlike sequences, the film features "magical realist" touches such as a baby that changes skin color and characters who walk up walls. Critics have noted influences ranging from David Lynch to Aki Kaurismäki. Visual and Auditory Style
: Cinematographer Timo Salminen uses high-contrast lighting and a saturated color palette to create a "visually voluptuous" experience. The soundtrack, featuring Latin pop and original music by Sune Rose Wagner, is integral to the film's "hothouse romance" atmosphere.
'Kill the Jockey' Review: A Colorful Argentine Oddity - Variety 29 Aug 2024 —
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