When it comes to chroma keying in post-production, Keylight 1.2 – included natively in Adobe After Effects – remains an industry favorite. No third-party plugins or "exclusive downloads" are required. Here’s why creators rely on it.
If you are struggling with your green screen footage, you don't need a fake "Keylight 12." You need to use the tools you already have.
If you have a Creative Cloud subscription, you already have Keylight 1.2.
When it comes to chroma keying in post-production, Keylight 1.2 – included natively in Adobe After Effects – remains an industry favorite. No third-party plugins or "exclusive downloads" are required. Here’s why creators rely on it.
If you are struggling with your green screen footage, you don't need a fake "Keylight 12." You need to use the tools you already have.
If you have a Creative Cloud subscription, you already have Keylight 1.2.