The film opens in mid-1980s London during an economic boom. Richard (Clive Owen), a young urban planner, lives a detached, pleasure-seeking life. His older sister, Natalie (Saskia Reeves), left home years ago and now lives a comfortable but emotionally empty life in the suburbs with her wealthy husband, Sinclair (Alan Rickman), a cold, cynical art dealer.
When Richard and Natalie reunite at a family gathering, an immediate and uncomfortable attraction sparks. Their bond deepens as they spend secret afternoons together, exploring the city’s empty architecture (a hallmark of Poliakoff’s visual style). Eventually, they begin a full-blown affair. The film does not romanticize incest but rather presents it as an obsessive, isolating experience. Sinclair grows suspicious, leading to a tense and unforgettable confrontation. The ending — without giving too much away — is hauntingly ambiguous, leaving viewers to question whether some bonds are unbreakable even when society deems them monstrous.
At its core, Close My Eyes asks: Can two consenting adults who share blood ethically engage in a sexual relationship if they have been separated for most of their lives? The film deliberately avoids moralizing. Instead, it shows the psychological toll: paranoia, guilt, and the inability to connect with anyone else. fylm Close My Eyes 1991 mtrjm awn layn - fydyw lfth
The film is set in the late 1980s/early 1990s in London — a time of economic boom (“Big Bang” deregulation), Thatcherism, and spreading AIDS anxiety.
Set against the backdrop of a sweltering summer in London and the home counties, the film follows Natalie (Saskia Reeves) and Richard (Clive Owen). They are brother and sister who have been apart for many years. When they reunite as adults, their relationship quickly spirals into an intense, incestuous affair. The film opens in mid-1980s London during an economic boom
The film is not just about the affair; it is about the atmosphere of the time. The heat, the boredom, and the looming sense of economic and social change in Britain serve as a pressure cooker for the characters' transgressive behavior.
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