Few albums capture the polished, arena-ready rock of the mid-1980s quite like Foreigner’s fifth studio album, Agent Provocateur. Released in 1984, it became the band’s most commercially successful album, largely due to the timeless ballad “I Want to Know What Love Is.” But for audiophiles and collectors, a specific digital version stands out: the 2013 high-resolution remaster available in FLAC 24-bit/192kHz format.
This article explores why the combination of Foreigner, Agent Provocateur, the 2013 remaster, and the FLAC 24192 (24/192) specification has become a sought-after keyword among serious music listeners.
Some audiophiles have extracted the 24/192 audio from the 2013 Foreigner: The Complete Atlantic Studio Albums 1977–1986 Blu-ray box set. This disc contains 192kHz/24-bit LPCM tracks, which can be ripped to FLAC using tools like DVD Audio Extractor or MakeMKV. This remains the gold standard.
You’re asking for the track in FLAC (Free Lossless Audio Codec) format with 24-bit depth and 192kHz sample rate. foreigner agent provocateur 2013 flac 24192 new
For most listeners, 24-bit/48kHz or 24-bit/96kHz is sufficient. However, for archival purposes or playback on top-tier systems (e.g., Bowers & Wilkins 800 series, Audeze LCD-5 headphones), 24/192 offers psychological and theoretical advantages. Moreover, some DACs perform better at higher sample rates due to gentler filtering.
While the album included rock tracks like “Tooth and Nail” and “Reaction to Action,” it is universally remembered for the power ballad “I Want to Know What Love Is.” Featuring the New Jersey Mass Choir, the song became Foreigner’s biggest hit, reaching No. 1 in the US, UK, and several other countries. However, hardcore fans often point to deeper cuts on Agent Provocateur—such as the title track “Agent Provocateur” (a moody, synth-driven instrumental with spoken word) and “That Was Yesterday”—as overlooked gems.
To understand the appeal, let’s decode the technical term: Few albums capture the polished, arena-ready rock of
Thus, “24192” in the keyword is shorthand for 24-bit / 192 kHz – high-resolution audio at its most detailed.
| Format | Compression | Metadata | Open Source | Bit Depth / Sample Rate Support | |--------|-------------|----------|-------------|----------------------------------| | FLAC | High | Yes | Yes | Up to 32-bit/384kHz + DSD | | ALAC | Medium | Yes | No (Apple) | Up to 24-bit/192kHz | | WAV | None | Limited | No | Unlimited (but bloated) | | DSD | None (1-bit)| Limited | No | 2.8224MHz – 11.2896MHz |
For Foreigner - Agent Provocateur (2013), FLAC is ideal because users can store the 24/192 files (approx. 150 MB per track) efficiently while preserving perfect integrity. You’re asking for the track in FLAC (Free
To the untrained eye, “foreigner agent provocateur 2013 flac 24192 new” looks like a random string of technical jargon and band names. To a seasoned audiophile or digital music archivist, however, it tells a precise story: a listener is hunting for a lossless, high-resolution (24-bit, 192 kHz) copy of the extended or deluxe edition of Foreigner’s 1984 album Agent Provocateur, remastered and reissued in 2013, available in FLAC format.
But why the urgency? Why “new”? And what makes this particular release significant among the band’s catalog? This article dives deep into the album’s legacy, the technical superiority of 24/192 FLAC, and where such a file might legitimately exist.