Standard modalities failed. CBT: she reframed empathy as weakness. DBT: she used distress tolerance skills to prolong others’ distress. Psychodynamic: she called transference “a boring game of make-believe.”
Her favorite phrase: “I’m not the problem. I’m the solution to everyone else’s boredom.”
The title "Hands On Treatment" immediately establishes a double entendre. On the surface, it suggests physical therapy or medical care. However, within the context of Felicity De Fiend’s aesthetic—often described as "witch house" or "dark electronica"—the title implies a more invasive, perhaps non-consensual or domineering, form of care.
The lyrics depict a relationship where the lines between the "healer" and the "tormentor" are blurred. The protagonist positions themselves as the practitioner offering a cure, but the treatment is rigorous and possibly painful. Key phrases in the verses suggest that the "treatment" is a form of behavioral correction or submission. Felicity De Fiend - Hands On Treatment -06.16.21-
Themes typical of the genre are present:
This specific title refers to a performance by Felicity De Fiend
, an artist known in the alternative and fetish performance art scenes. The date, June 16, 2021, likely marks the release or recording of a specific "Hands On" sensory or tactile-focused session. Standard modalities failed
If you are looking for a creative piece inspired by this aesthetic, here is a long-form exploration of the mood and atmosphere such a performance evokes: The Art of the Tactile: A Study in Crimson and Control
The air in the studio on June 16th was thick—not with heat, but with intention. Felicity De Fiend has always understood that performance is more than just a visual medium; it is a sensory occupation. In her "Hands On Treatment," the boundary between the observer and the observed doesn't just blur—it dissolves under the weight of meticulous, deliberate movement. The Aesthetic of Impact
Clad in textures that catch the light like oil on water, Felicity moves with the calculated grace of a predator who has no need to hurry. The color palette is almost always a dialogue between deep shadows and sharp, clinical highlights. There is a "treatment" happening here, but it isn’t medical; it is a recalibration of the nerves. Every gesture is a syllable in a language of power and surrender. The Sensory Weight Psychodynamic: she called transference “a boring game of
What makes this specific session resonate is the focus on the
. In art, hands are the tools of creation and destruction. Here, they are tools of navigation. They trace lines of tension with a feather-light touch that feels heavier than a lead weight because of the silence surrounding it. You can almost hear the slide of latex or the sharp intake of breath as she focuses on the "Hands On" element—a reminder that the most profound human experiences often happen at the surface of the skin. The De Fiend Philosophy
To watch Felicity is to witness the architecture of control. She doesn't just perform; she curates an atmosphere of exquisite tension. The "Treatment" implies a process—a beginning, a middle, and an end where the participant (or the viewer) is fundamentally altered. It is a subversion of the traditional "care" dynamic, replaced instead by a rigorous exploration of what it means to be handled, seen, and directed.
As the session concludes, the lingering impression isn't one of chaos, but of perfect, frozen order. It is a testament to Felicity De Fiend’s ability to turn a simple date in June into a timeless study of the power held within a single, purposeful touch. of her performances, or perhaps the psychological themes usually explored in this type of alternative art?