Saidawi’s work often focuses on the Mizmar as used in Egypt and the Levant, but he frequently draws parallels to the Turkish Zurna.
The Turkish Zurna is not merely an instrument; it is a declaration. Known for its piercing, brilliant timbre, it is the sound of weddings (düğün), folk dances (halay), and heroic epics. For a musician like Fayez Saidawi, who understands the delicate balance between raw power and melodic control, the zurna presents a unique challenge: how to tame its wild volume without losing its spirited soul.
Unlike the softer Persian sorna or the Armenian duduk (which uses a wide reed), the Turkish zurna employs a small, double reed (kamış) that rests directly on a metal tuning wire (arazona). This article provides actionable insights for maintenance, tuning, and ornamentation.
Turkish zurna music relies on rapid finger articulation: trills, mordents, and glissandos. Saidawi’s fingers moved with almost impossible speed. In his famous renditions of Roman Havasi (Gypsy melodies), he performs "tounge-slaps" and rapid pitch bends that mimic the crying style of the Turkish clarinet.
If you are searching for the definitive Fayez Saidawi Turkish zurna experience, seek out the following recordings (often available on YouTube or specialized world music archives):
Most zurna players start a note with a sharp, percussive "too" sound. Saidawi, however, mastered the soft attack. He could make the zurna "speak" with the gentleness of a ney (flute) before unleashing its full power. This dynamic range—from a whisper to a roar within a single bar—is his calling card.
To refine technique, study these canonical pieces:
| Piece | Maqam (Mode) | Technical Focus | | :--- | :--- | :--- | | Şehnaz Longa | Şehnaz | Fast staccato & high-register clarity | | Üsküdar’a Giderken | Rast | Rhythmic precision in 2/4 (Karsilama) | | Erik Dalı | Hüseyni | Expressive bükme & dynamic contrast | | Roman Havası | Hicaz | 9/8 rhythmic complexity & improvisation |
A fascinating aspect of Saidawi's research is usually the technical breakdown of performance.
Saidawi is a key figure in documenting the organology (the study of instruments) of the Arab world.