If you are a perfectionist who believes that gloss should look wet—not just shiny—then the pursuit of the Art Of Gloss Arnella 1 is a worthy quest. It represents a philosophy: that the final layer of a creation (whether on your lips, your painting, or your 3D model) should be so reflective that it becomes a mirror, capturing the world around it.
The "1" promises that this is just the beginning. As the series grows, we can expect Arnella 2 to explore matte-gloss hybrids or colored gloss bases. For now, Arnella 1 stands as the archetype: pure, uncolored, architectural shine. Art Of Gloss Arnella 1
Any imperfection beneath Arnella 1 becomes magnified. Surfaces must be clayed, polished, and degreased to a lint-free, static-neutral state. Many professionals use a 3:1 isopropyl alcohol rinse, followed by two hours of “off-gassing” in a temperature-controlled (20–22°C) environment. If you are a perfectionist who believes that
Mistake #1: Using it as a one-step product.
Reality: Arnella 1 is a topcoat, not a filler. Base imperfections will show through mercilessly. As the series grows, we can expect Arnella
Mistake #2: Expecting hydrophobic beading.
Reality: Water behavior on Arnella 1 is a sheeting action, not aggressive beading. This is by design—sheeting dries without water spots.
Myth #3: It’s just repackaged ceramic.
Fact: Independent FTIR spectroscopy (Fourier Transform Infrared) reveals a unique polymer fingerprint with no exact industrial equivalent.
Regardless of which medium the actual product exists in, the technique required to wield "Arnella 1" effectively is an art form in itself. Here is a universal guide to achieving perfection with any high-end gloss product bearing this name.