Andre Boleyn Kevin Warhol Part 2 Portable

André believes objects hold stories like fossils hold time. Kevin believes those objects should travel light. Their collaboration begins with a simple challenge: compress a small exhibition into something anyone can carry in a backpack, a commuter bag, or a pocket. Portable isn’t just about size—it’s about accessibility, intimacy, and the tension between permanence and transience.

Portability raises questions: What is lost when context is compressed? Is intimacy worth the risk of misinterpretation? André worries about stripping objects of provenance; Kevin stresses the democratic potential of access. andre boleyn kevin warhol part 2 portable

They reconcile this by including provenance tags, short QR-linked records, and a small fold-out manifesto that insists on asking where things came from and who gets to carry them. Transparency becomes part of the object’s aesthetic. André believes objects hold stories like fossils hold time

So why Kevin Warhol Part 2? According to the leaked metadata from the Portable file (a .PBP file designed to run on PSP or PS Vita emulators), this isn’t a movie. It’s a playable interactive experience. André worries about stripping objects of provenance; Kevin

In Part 1, Kevin Warhol (a parody of both Andy Warhol and Kevin from The Office) was a background character. In Part 2 Portable, he takes center stage. The premise: Kevin has stolen Andre Boleyn’s head (literally, a polystyrene mannequin head) and is running through a procedural generated mall from the year 2003. You, the player, control Kevin’s anxiety levels using the left analog stick. The goal? Return the head to Andre before the mall’s security guards—who are all dressed as Henry VIII—delete you from existence.

Portable exhibitions create new social formats. André and Kevin test theirs in three contexts: a commuter hub, a neighborhood potluck, and a late-night DIY gallery. Each setting reshapes the work.