Alka Kubal’s love for Paithani sarees (from Yeola) is legendary. In her gallery, you will notice she never opts for overly gaudy Paithanis. Instead, she chooses:
Alka Kubal broke gender norms by occasionally donning the Pheta (Maharashtrian turban) and pairing it with heavy kundan earrings. This section explores the interplay of masculine and feminine textiles—Khandua silks and handloom cottons—demonstrating how she redefined Marathi style as androgynous yet graceful. Alka Kubal’s love for Paithani sarees (from Yeola)
At the heart of the gallery lies the quintessential Nauvari saree (the nine-yard wonder). Unlike the conventional drape, Kubal’s style introduced a revolutionary fusion of comfort and royalty. The gallery highlights her iconic Kashta—the signature drape that allows freedom of movement—paired with traditional Borders (Paithani motifs) and modern blouses. Her look is never complete without the authentic Kolhapuri saaj (a traditional necklace of 21 leaves), naths (nose rings), and the subtle chandrakor bindi, proving that accessories are the soul of Marathi jewelry. This section explores the interplay of masculine and